Tag Archives: Issue 6

Along Stretches Of This River

We use words to build images. We put the words together in a particular order, and if we’re lucky, something happens other than the relaying of information. The reader takes those words and assembles and reassembles them in their mind. It’s the inseparable sensory experience we’re after (we being the writer and the reader).

In the town where I now live, there’s a river nearby. If I have a good day working, writing my way into a draft, I might set aside time to fish in the evening. It’s a small reward, this kind of escape. Recently, I’ve spotted osprey along stretches of this river. The enormous birds patrol in ovals overhead. One will eventually curl its wings under and fall into a dive, throwing huge talons, at the last second, into the water. If it’s lucky, it pulls out a fish.

Because the shad are running (as the locals say) osprey in this town are eating well. When I finally wade out into the river to cast, I pause. Across the sky, osprey spin and drift. Then they fall, crashing their bodies into the current. One can make a peaceful day of watching such meticulous activity, though if the shad could talk, they might respectfully disagree.

This river is sometimes clear, other times opaque. Inside it, things are alive. Mornings I wake and try to write, to build at least one engaging image out of words, and in the evenings, when I walk a section of the river past the fall line, I shuffle slowly into the current. I’ll false cast until, eventually, a long stretch of floating line will land on the rippled surface. The clear leader attached with a nail knot at the end sinks first. I let the line swing into a dead drift. If I’m lucky, I’ll feel the hit and lift up. If I’m luckier, the hook will set and the line will jolt into life.

Here’s my reason for even mentioning the river at all:  The other day, I caught a shad. Three red scratches, all evenly spaced apart, ran from the fish’s silver middle to the lavender ridge near its tail. I’ve been trying to shake this image, but I can’t. I keep seeing it in my mind. I keep thinking about the story it implies.

The red scratches were fresh talon marks. It was this single image that implied part of another story, one that had nothing to do with me. An osprey must have dropped the fish. I held the same shad. It was a strange sensation, this quick connection to other things. Like the speaker in Elizabeth Bishop’s famous poem, I let the fish go.

But the image has stayed with me.

Locals here have shared that during the shad run, it’s not uncommon for fish to fall from the sky. You can drive to the grocery store and find them flopping in empty parking spaces, others dropping onto windshields of moving cars. I know that back on the river the osprey spin and drift in widening ovals. They search for what’s alive. They’re not the only ones.

TREAT ME LIKE MAGMA

Prose is a trap, my professor looks up from her computer when she says this.  She has a tendency to hit realizations so simply— it doesn’t feel like a realization.  Prose is inherently patriarchal, and I will never be able to escape it as long as I continue to rely on this demand, on these ordered sentences.  My hands— they are unsure— as Emily would say— differently.  But I am good at manipulating the patriarchy, I am good at writing these sentences even if they have set me up to fail.  It will be a beautiful failure.

In a different class people keep insisting on prose being indulgent or sparse but it all feels like indulgent prose to me, in comparison, to Emily— and I am sorry for being so informal.  I don’t know if I would do the same if writing about a man.  Maybe I am failing. 

Our relationship has failed to transcend gender roles.  We acknowledge this and it feels heavy.  Beyza has their handon my calf.  I have my hand in my hair.  The conversation keeps switching but I am trying to figure out why I want to dress for them, why this is important to me after three years of dating.  Why I don’t want to be Cute all the time, but something else, Sexy.  Why I get upset when they do not want to eat the food I have made for us.  Why they want me to be the one who has the kids, when they want the kids more.  Or do they?  I am not sure anymore.

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in one week three of my friends ask me about squirting & suddenly i am an expert on something i can barely define for myself.  i shrug & say, it makes me worry i’m peeing.  but maybe it is just this acknowledgement because i am suddenly very zen about it & later, during the fucking, i just let it happen.  beyza laughs at me & at first i am embarrassed but then they kiss my neck.  we move our bodies.  later they pull at my hair & i think i am going to ascend to some place better, i tell them, harder.

/i am trying to remember what it’s like to be a little body &

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My pain tolerance is higher, don’t I remember when we got tattoos?  I only cried because the artist asked me about my grandmother.

These poems break all the rules by existing.  But they still follow a lot of rules, even self imposed ones: rhyme schemes, meter, etc.  These are not—usually— blank verse.  They follow a pattern of something that came before, even while building something new and remember: that is okay.

I want to write but that is not how people make money.  Beyza has figured this out by working at a feminist bookstore, by working at a literal foundation for poetry.  They have navigated this but.  I have found myself in big houses, in apartments.  I have found myself walking children home from school and reading them bedtime stories.  This type of work is referred to as Domestic.  I am constantly reminding people that nannying is different from babysitting, but it is different because the children are becoming partly mine.  Not quite Motherhood, but something along those lines.  Something serious.

If this was a different story, I would begin with my grandmother giving me Molly, the American Girl Doll.  I screamed so loudly my mom thought I had hurt myself.  Excitement.  And then.  Boredom.  

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/willa has me lay down on the carpet.  she wants to turn my stomach into a bridge that leads to the interstate.  she calls it the high road.  her favorite car is bright red & it is her favorite because when she pulls it backwards until it makes clicking noises & then lets go it races faster than all the other cars.  the mechanics don’t work so well on fabric, on my body, so she directs it slowly over me.

/i don’t want to play princesses with her & i loved cinderella.  i used to rewrite versions of that story.  at first in my head, then on paper.  how these were my first stories & they were basically smut.  i tell alexis, i tell beyza, that’s in me now, there’s no point in hating it.  but i don’t want to play princesses with willa.

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 I didn’t want to create a voice for her or dress her, really.  I didn’t want to create a life for her.  She spent months at the back of my closet and my mom rolled her eyes at the waste of a hundred dollars.

I am good at watching Alexis’ daughter.  I am not creating a life for her but helping her live one well.  I know how to perform this way.  I know how to make it enjoyable and this, this is what scares me.

Katie tweets, I like to clean up after people’s children when they are off at work.  When they are making their lives happen.  It gives me a sense of purpose in the world.  I wish I was kidding.

And we are always wishing that we are kidding.  That we had not learned how to straighten a room, how to make a dinner for people besides ourselves, how to thrive off of these things.  We worry that this means we cannot do other things, we cannot be fulfilled without this side of Us.  That in attempting to fulfill the domestic, we will let the other parts of ourselves fall away.  We remember our mothers before us, who slowly stopped retreating to studies, who worked part time, who made us dinner every night.  We are so thankful for this, but we want a way to avoid this for ourselves.

I am trying to remember the moment I realized my parents– in love, wonderful, happy— had a heteronormative marriage.  On a walk after dinner— my mom told me herself.  It had to be spelled out to me and even then.  But then, does it matter?   They are happy.  More specifically, since my mom is happy, does it matter?  That my dad makes the money, that she makes the food?  I come home for a night and I lay next to her in their bed, Modern Family is on in the background and I avoid talking about how much I hate the show, but I cannot avoid it entirely.  Then she says, Sometimes I wish we had had a third kid.  She says, Sometimes I wish I could have one now.  My sister is fifteen, almost grown.  I am twenty.  I

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/the problem with pain is, it’s impossible to remember.  our brains refuse to keep the feeling in us.  we call that: evolution.  i have only read about this in the context of giving birth and torture.

/I’ve finished threading—too—

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think, What would it mean, to start that process again, at almost 50, to forfeit the independence she was just about to gain, for another helpless human, to guide through this world, to create more helpless humans.  I think, How awful.  But then.  Not for her.  Wonderful.

Alexis can’t decide how to put it— she glances at the television as she talks.  I like to live with someone, in a partnership, taking care of her together— domestic— but I hate what that says about me.  And the rest of it, of what it means.  I don’t like that.

In all these essays about all these poems— the queer ones, the ones in which we insist on seeing Emily as opposed to any other narrator (and for this I am especially guilty, reading is to insert yourself, I suppose)— the word subversion is used again and again.  As though by writing Might I moor— tonight—/ In thee! Emily’s conjuring of penetration in a relationship with no penis is her upending heteronormativity.  But I can’t stop asking myself if it isn’t just a failure, like mine, to overcome heteronormativity.  And then I wonder why it matters.  Why does the most talented writer of her time, arguably of any time, need to subvert, and why do I?  Why do queer women feel the pressure to become something that society has not yet allowed room for and why do people keep insisting Emily Dickinson was a lesbian when she has piles of love and fuck poems written for and about men too?  And why is that a failure as well?  Is it not enough of an upending— enough of a subversion— to have written these poems, to have fallen in love with her sister in law, to have fallen in love with men as well, and to have told these stories in her own way.  

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/on the brown line i worry that people will think i am a bad mother.  she keeps asking me if she can watch alvin & the chipmunks when we get home & the answer is yes but i try to say it quietly because an older woman is staring at us, willa & i— the smallest shake of her head.  it takes me minutes to remember: i am not a mother.

/the only time she ever tattles on me: alexis arrives home from work & willa tugs on her shirt sleeve, she whispers loud enough so she knows i can hear, she whispers, isabelle did something really mean.  she whispers, isabelle ate my pretzel sticks.

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She allowed space in her mind for a world beyond binaries— sexuality and gender.  She did not, Subvert the cult of domesticity by obeying its letter but defying it’s spirit.  She lived in a way that allowed her to pick parts of that cult, of that life that every woman was compelled to live and that they may have liked living, & she got to let go of some other parts.  She let her sister take care of the house & wrote.  

Before the mooring in another woman, Emily writes, Done with the Compass— / Done with the Chart!  Done with following a path set out for her, set out for anyone.  Done with doing anything but spending time with her lover.  And though, in reality, it seems her lover existed in the space between her pen and her paper, she still managed to do exactly what she wanted.  She lived how she wanted.  Which is to say, outside of expectations.

Emily kept up a friendship, one people presume to call an editorial relationship, with Thomas Higginson.  But to call it that would be to overlook the way she ignored every piece of writing advice he ever gave her.  She asked for criticism again and again, sending poem after poem, but I can only imagine an eye roll at Higginson’s responses from her.  In her most famous letter to him, you can almost feel her exaggeration with him, this man who she respected only to a point.  You think my gait “spasmodic.”  I am in danger sir.  In danger of what?  Mediocrity, I suppose, if she was to listen.  Her signature of, YOUR SCHOLAR, a joke more than anything.

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/in rugrats in paris chuckie cries on the airplane thinking about his mom—he sees in the clouds.  willa wants to know if she’s dead because willa knows all about death, the first time i met her she told me, it’s when you lay down and you never come back. she told me, you just can’t.  & i think chuckie’s mom is probably dead but i can’t be sure & willa has to get on a plane to see her dad & when she comes back from those trips something about her has gotten a little tougher.

/i tell beyza my favorite pets are fish because they are so low maintenance & they tell me i probably shouldn’t tell any potential employers about that.  but something in me has started to melt.  when i see fluffy dogs i bend down to pet them now.  my googling has not revealed if this is caused by love or hormones.

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After her death Higginson took her poems.  He edited them.  People later called this, a destruction.

We play pretend for an hour and a half before I suggest putting on the TV.  I know, I shouldn’t have suggested it first, but being a King can become exhausting because I have to keep telling Willa that women, Princesses, cannot be bought and sold into marriage.  That I wouldn’t want to do that.  She says okay and then comes up with a different way of saying the same thing.  She wants to play all the princesses, but then she wants to play the Bad Witch too.  The bad witch freezes me in my sleep, she turns Sleeping Beauty into soup.  I understand the need to be more than one thing.  The need to perform multiple roles.  Willa isn’t allowed to watch princess shows anymore, we put on Rugrats again.

And that’s it, Performance.  How I am doing that all the time.  How it has become impossible for me to tell what things I actually like and what things have been ingrained into me.  Aesthetics.  I love them.  At the Forever 21 my sister tells me I am going for a Twin Peaks Aesthetic and she is totally right.  I want to be Audrey Horne but I buy a diner girl dress.  From the dressing room I snap a picture to Beyza and they send back so many starry emojis.

Maybe, Alexis is sick and we are drinking wine anyway.  We want Willa to sleep through the night so we sit in the living room with all the lights off.  Maybe the problem isn’t that you’re not subverting whatever, but that we’ve decided that taking care of children and making food are intrinsically feminine.

Alexis is so tired but she cannot sleep until the kitchen is clean.  My mother is like this too and I know one day, I will wake up, and I will feel that pull.  I tell Alexis to go to sleep, I tell her I will do the dishes— but I am wine drunk & my Uber arrives before I can finish.

My dad fails to notice the clutter that surround him until my mom is falling into a tailspin.  We call this an example of nurture verses nature.  He grew up watching his mother clean and his father leave things lying around in separate houses.  My mom’s parents were both unbelievably messy, and so was she until she wasn’t.  The wasn’t is the question, when asked she references my birth.

But then, Emily was supposed to clean up after her family.  Emily was supposed to take off her white dress every once and a while, put on something darker so she could dig into the floors.  But she chose— decided— not to, to leave her white dress on and close her door. We have one picture of her and in it she has been transformed.  They put makeup on her retroactively.  Other things.  She was not something simple, and They don’t forget, just cover up.  Her bigness, her complexities, fit best into small spaces.  A poem, a room— you know— we or They, put her in something pretty, later.

When she writes, I’m wife— I’ve finished that— we know that Emily is not the narrator of the poem.  She never got married, she never entered a safer space and in turn, never allowed herself to be eclipsed— however softly.  This narrator cannot decide if it is better to be safe and accepted in society, but not quite reaching her own potential.  She, at the end says, I’m Wife!  Stop there!  As though it could ever be so simple.  To become a wife, specifically in this time, but still now for some people, was to trade in a freedom for a sure place in society.  A trade that results in both pain and comfort.

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/the winters create something in us that is not god.   on the red line a man sits next to me.  he is the type of person where it isn’t clear to me if he’s a man or a boy, but i think he likes to ride that line.  we aren’t god but we both wear heavy jackets & this creates something different in our dynamic.  his elbow rests on my side.  in a month this will not be acceptable but right now we have a closeness i haven’t had with a stranger in a year.  more.  we don’t look at each other, but we allow the other person to get comfortable.  in the summer he might be sweaty & i would be wearing a crop top & this would never fly.  but here.  in february.  it is okay.  it is a comfort we both need to get through this maddening darkness.

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And then, later, she writes, I’m ceded— I’ve stopped being Theirs.  That capital They, so present in her work.  That insistence on freedom, another meaning of ceded, within everything oppressing her, the They, the needle that she says she has put down.  It’s all here, in this poem, being let go of, but still being.  Still as important as what she builds to— that diademAnd I choose, just a Crown—  Emily has never been more self assured than she is here, every analysis I read insists on this, and yet in choosing greatness, she is deliberately opaque about what that means for her, for anyone.

So often Emily allows herself to be a volcano, but one that lives, as Rich points out so vitally, at home.  Emily has constantly been pigeonholed into either the demure, small girl who wrote about nature, or the dark, subverting woman who ignored all expectations, who lived a completely original life.  The patriarchy and second wave feminism, just like in real life, are both incorrect, even if one is less wrong than the other.  She lived in her head— & it was a brilliant one— but it stayed on her father’s estate for decades.  Poetry is power, language is power, my professor tells us.  She had so much power, & she used it in the way that she felt comfortable, which is to say, often very domestically.  Can my prose do this?  Can any woman’s?

Willa wants to know if I have any children, if she can meet them.  I tell her no, I don’t, and she asks me why not.  At first I think, because I am twenty, but there is more to it than that.  Don’t you want to be a mom?  I remember every conversation I have had about not wanting motherhood & then being in love.

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/she wants me to sing her a song, but a new one.  a song she has never heard before.  i scan my mind for something simple, something pretty.  every song pretty enough to sing to her has the word love in the chorus, a romantic love i try to skew into a platonic love, into something understandable for a four year old.  i tell her okay, but she has to close her eyes during the song.  she thinks this means it is time to play peekaboo, or.  i’m not sure what she really thinks, but this is the most enjoyable thing for her.

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Staring at paint samples with Beyza, picking the one yellow that would look perfect in a baby’s bedroom.  And then, loving.  Willa.  I imagine my stomach expanding.  The hormones, the crying.  I imagine how I would have to stop working for a while.  How Beyza would rub my back at nights but it would never be enough.  Carmen Gimenez Smith, the way she loves her children, regrets the time they take away from her writing, her teaching.  I don’t know, kid.

In Her sweet Weight on my Heart a Night— Emily dreams for something incredibly domestic.  Or her narrator does.  My bride had slipped away—.  My bride.  Not just another woman, a fling, but a deep love—a word which could have implied an elect lady, an immortal soul at most, and at least, a partner in nature, a human being.  Either way this human, this immortal soul, she slipped away or never existed, or always existed.  The speaker cannot be sure, and doesn’t want the reader to be either.  And it doubles in on itself when the speaker offers up the confirmation of a God we know Emily did not believe in.  If ‘twas a dream—made solid— just/ The Heaven to confirm— She offers us a Schrodinger’s love.  She offers us an unknowable queerness.  A queerness steeped in the traditions of the heteropatriarchy— yes, of course, this poem was written in 1863.  

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she is trying to put off sleep again.  she has developed new stratagies.  will i tickle her?  just for like… two minutes!  & who am i to say no?  she has a tummy like mine, we are both small but that flatness alludes us.  & on willa, who is four, that is adorable, it is perfect.  i think on me it can also be adorable.

 /katie lies in my bed with me, wine resting between us—the kind of red that looks nothing like blood— almost empty.  we both have our fingers in front of our faces, counting.  she has just started dating someone new & i have been in the same relationship for years, but still. we are trying to figure out how many days it will before we have sex.  the answer is not soon enough.  we have both masturbated while the kids we nanny watch TV or slept or did whatever else.  she asks me, what other job are you going to have that kind of freedom?  & i fall into myself, laughing but— knowing the needing of it.  to own something erotic as i allow myself to help raise a child.  as i allow myself to take care.

A still— Volcano— Life—

That flickered in the night—

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But a queerness that does not even need to have the trappings of reality to exist.  A Fiction superseding Faith—/ By so much— as ‘twas real— Faith, at one point, meant truth.  Of course.  We—humans, Dickinson, the speaker— have the ability to imagine so well, to love so largely, that it goes beyond truth.  These imaginings are more important than whatever reality has to offer.  And that is what this moment with her love her was to the speaker.  More important.

And this prose, it’s trying so hard to not play into the patriarchy, by being mine.  These comas are all in the wrong places and that wasn’t intentional but it feels like the best failure— good.  Not like being touched feels good, but maybe that’s in the dashes.  

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she wants to know what boys are made of.  if there is something different there.  us against them.  she sees a picture of a sumo wrestler & she knows nothing about her body would allow that.  willa turns to me— an answer required.  the only answer i can provide, i worry later she will apply to all boys, i worry she will forget the other things i’ve ever whispered to her, remembering only, the same stuff as your or i, only more of it.  more.

/ she makes her little feet dance, at just the right distance from the door.  i am lying on the ground on the other side of it because she asked me to.  i am positioned so i can see her feet, but i also have two fingers pushed underneath the crack of the door, so she knows i haven’t gone anywhere.  in this way i have entered an inbetween space, i am not on the other side of the door but i’m not on this side either. the floor is hardwood, my back cracks when i push into it.  willa is all, can you see my feet now?  yes.  what about now?  no!  now?

Isabelle Davis

is a Chicago based writer and Pushcart Nominee. She works as an editor for Big Lucks Books. Isabelle is the author of the chapbook, I’m Sorry Because This is Not About Sex. Her work can be found or is upcoming in The Iowa Review, alice blue review, xoJane, Quaint, and others.

(Biblio)maniac

Books are gentle companions. Generally.

I was only just about murdered by books on one occasion.

That was fifteen years ago…

*

I wasn’t sure what to do with my life. I had no prospects. I had an arts degree.

I started reading a fair bit. More than usual. I read for ten to twelve hours a day. I’m not sure if I was deeply depressed or just really loved short stories.

I read a lot of Hawthorne, Poe. Wodehouse—he’s pretty good.

I bought a couple thousand books. Not all at once. I was only an aspiring writer back then, so I could still afford to buy books. 

I still lived at home (I had an arts degree).

When I ran out of shelf space, I filled my closet with books. My dresser. My bed.

You can fit about a hundred books in an upright piano.

One bookcase in particular, the big oak one (I called it Big Oak), was so loaded with books that it swayed away from the wall day and night like a drunken professor of English Literature. 

My mother said this three times a week, at least:

“That big oak bookcase is going to tip over one of these days and break every bone in your body. Even your metacarpals.” (My mother was a schoolteacher.)

I’d just shrug. And keep reading. And reading…

I read for three years.

*

For every book I read, I bought ten. A sound, metric plan. 

Things didn’t really get out of hand until books started colonizing other rooms of the house. Crawlspaces. A dormant fireplace. 

You can fit about fifty books in a dormant fireplace.

Soon the halls were piled high, like catacombs.

If my parents were unimpressed, they didn’t show it. Not really.

“If you buy another book, I’m going to watch you eat it, page by page.” My father did mention that. Three times a week, at least.

Only when I couldn’t think of anywhere else to put them (there was nowhere else) did I stop buying books. And diverted all my energy, such as it was, into reading them. 

I lay down on my bedroom floor (I’d replaced the bed with six filing cabinets crammed with books) and opened up—I can’t remember what book. It doesn’t matter.

Something by Hemingway, maybe.

Possibly Faulkner.

“You can get an aneurism from reading too much,” my mother remarked, walking by.

“Last week it was meningitis,” I said.

“That too,” I heard her say. My mother is a severe hypochondriac.

I shook my head—and kept reading.

I’d still be reading, I’m sure. In a beautiful institution. If it weren’t for the incident.

*

Routine is critical to unbalanced people. It becomes a habit. 

Every day, I read from nine to two, had a late lunch, then walked for several hours. Mostly out-of-doors.

“What are you up to these days?” some smiling person would always ask me, always in front of the post office.

“Reading books,” I’d always say.

I’d watch the keystone drop out of their smile, and the whole thing collapse. Always.

After my walk, I’d resume reading, on the floor, from six till midnight. Then fall asleep reading. And wake at dawn with a book on my chest, or under it, or neatly shelved between ribs.

That’s just what happened, the one night. With a slight variation.

I don’t remember what I was reading. Something by Jackson, perhaps. Or Welty—she’s pretty good. It doesn’t matter. Not really.

It might’ve been de Maupassant.

I fell asleep reading.

I woke abruptly, in incredible pain. My head was pounding, my nose. I couldn’t move. 

I was having an aneurism. I was sure of it. I’m a severe hypochondriac.

I tried crying out but my voice sounded muffled and frail. I pictured a frail man, in some kind of muffle, lying at the bottom of a steep hill, dying.

I’ll be dead any minute, I remember thinking.

A few minutes passed. 

A few more.

There was a knock on the door.

“Are you alright?” said a voice. My mother’s.

I mumbled something. 

“Could you enunciate?

(My mother was a schoolteacher.)

“I heard a relatively big bang a while back. Did you?

“No,” I tried to say. It sounded muffled.

“Did you say ‘help’?”

“No,” I mumbled, a little louder.

“Oh,” said my mother.

“Help,” I tried to say, now.

“Yes—goodnight,” she said.

I heard her walk away.

I must’ve either passed out of fallen asleep because my next memory is of my father lifting something incredibly heavy off of me.

It was Big Oak.

And about four hundred books.

The last book, the opened one lying on my chest, right over my heart, the one I’d presumably been reading… It saved my life. That’s what I tell people, anyway. 

I’m not sure what book it was. It doesn’t matter.

Something by Salinger, perhaps.

Or O’Connor. 

Whatever it was, my mother picked it up—then dropped down, sobbing. She put her arms around me.

“You should’ve said something,” she said. 

*

When they let me out of the hospital, I packed up all but five hundred books, my favorites, and gave them away. I gave a box of books to anyone I could think of. People always took them with a sigh. I’m not sure if they were depressed or abhorred short stories.

My parents were proud. They were ecstatic. Optimistic, even.

Then I started writing poetry.

I’ve been writing ever since. Not poetry, though, not really. That was a worrisome phase. I write short stories, mostly. That’s a permanent worry. My mother is seventy-five years old but looks a hundred.

I do still read. Sparingly. Writers can’t afford new books. So they make their own.

When telling people about my scrape with death, I’ll point out my crooked nose, by way of corroboration. Then I’ll tell them that if they look closely, they can just barely make out the front cover of The Collected Stories of Ray Bradbury branded into my abdomen. When I lift my shirt, one in three people lean closer. 

I think that tells you something about humanity. 

I haven’t decided what.

City of Strays

It is after dark, and I’m waiting for Martin to return. He’s out jogging, his nightly ritual, though he’s been gone longer than usual. I’m seated cross-legged on the couch checking email on my laptop and, behind me, I hear the rain against the glass. I glance up to my left and see the top of the Space Needle glowing through a low-hanging cloud. An expensive view, but I’m an expensive lawyer. When I moved to Seattle a year ago, recruited by a law firm impressed with my track record litigating software patents, I made sure that I found an apartment with this view. 

When I was growing up in Indianapolis, my father, an office furniture salesman, would bring me pens from the cities he visited. Floaty pens. A San Francisco panorama with a trolley car that rolled back and forth. The Space Needle with an elevator that went up and down. I spent hours on the floor of my room, slowly twirling the Space Needle, making the elevator rise and fall, imaging myself in it. It became my lucky pen, the one I used for my diary, then exams, then my college application. The pen that got me out of Indianapolis.  

Now, I watch from my living room one of these elevators ascending without my assistance. I think about how far I’ve traveled, first the job in New York, then DC, San Francisco, and now here, a circumnavigate career. Each stop at a better firm, a higher salary. I wonder if this will be my final stop, or if this Space Needle is just a lighthouse I will pass on my way to somewhere else

I glance up when Martin enters the apartment, dripping on the carpet. He’s out of breath and clutching what looks like a soaked-through scarf.

“What took you so long?” I ask. Then the scarf opens its yellow eyes and looks at me. 

I follow Martin into the bathroom. He swaddles the cat on his lap in a towel I bought him as a birthday gift from Restoration Hardware. The cat is black with patches of white on its paws and patches of pink on its back and belly where fur used to be. Its left ear torn in two, partially healed over. No collar.

“Where did you find it?” I ask.

“It’s a she,” he says. “I found her on Queen Anne, by those stairs.”

“She could be feral.”

“If she was, she wouldn’t have let me carry her home.” Martin is tenderly drying her legs. The cat looks up at him with patient eyes. 

“She needs food,” he says. “Do you mind popping downstairs to the market?” 

“I could, but…” I hear my voice trail off. He looks up at me. “Martin, shouldn’t we just take her to the shelter?”

Martin stares at me the way a litigious client looks when I suggest arbitration. 

* * *

The next evening I come home to a cat reborn. The fur, combed out and shiny, covers much of the bare skin. She struts through our living room, tail erect, as if she has always lived here. 

Martin is seated on the floor as she circles him. “Isn’t she beautiful?” he asks.

I nod and watch the cat climb onto his lap, his arms surrounding her. I hover over the two of them like a mother figure. I feel my stomach clench.

“You realize that we’re going to have to pay a pet deposit,” I tell him. “Assuming this is long term.”

“We’ll pay it,” he says.

“What if she’s been chipped?” I ask. “She could be somebody’s cat.”

“I’m naming her Dido,” he says, then places his lips on her forehead and whispers something. I feel the urge to lean in. Instead, I retreat two steps to the kitchen and begin heating up some food. 

“Can you hear her purring?” he asks.

“Yes,” I say, though I hear only the microwave.

* * *

Martin is an instructor of ancient literature at the University of Washington. In his late thirties and still deep in student loans, he seems resigned to his fate. There is a novel somewhere on his computer that he claims is near completion, but I’m not optimistic. 

We have a relationship one might call modern. No marriage certificate. No kids. And, until recently, no pets. Living in a luxury high-rise in Belltown, with me covering the bills while he chips away at his liabilities. Martin carries his end in other ways. He is bookishly attractive in his black-rimmed glasses and untucked oxford shirts. He keeps the fridge stocked. He takes to the chores with a passion I find curious yet endearing. 

He gives me the room I need, not just in time and space. In San Francisco, I dated VCs who put on a show of independence but rarely ever spent a moment alone. Always in meetings, texting like teenage girls, biking every Saturday morning in spandex pelotons. Men raised by helicopter moms, offended if you aren’t there to praise their Mandarin, favorite a Tweet, offer up a hug. 

I was never much of a hugger. I have no problem with sex, but sex is transactional, temporary, and comes to a definite conclusion. Hugs are open-ended, which means someone must be the first to let go. Usually me.  

The fact that Martin and I have lasted a year is as close to happily ever after as I know. On my darker days I wonder if he’s in it for the money. But not once has he ever asked me to pay off his loans, and I interpret this as love.

* * *

A month later, I’m still trying, really trying, to coexist with our new roommate, one that leaves trails of litter across the carpet and sheds tufts of black fur that stick to my clothing like stains.

Martin speaks to her like she is a child. The way his voice rises makes my spine crawl, cooing silly nonsense about her being such a good girl, such a good little girl

At nights, when Martin is out jogging, she waits for him by the door. I could open a can of salmon and she wouldn’t look in my direction. After Martin returns, she follows him from room to room then waits patiently for him to settle on the couch, offering up his lap. 

I am now relegated to the other side of the couch as we watch TV. I first tried sitting close to Martin, but she growled at me, the same noise she made when the vet inserted the thermometer up her ass.

This used to be our ritual. My head on Martin’s lap, Martin’s hands massaging my hair. I would hold the remote control, and Martin would signal by touch the show he prefers. One tap for YES, two taps for NO. And a tender lap around my ear to signal the volume. 

Tonight, I try leaning over, to at least share this precious real estate. But as my head touches Martin’s right knee she hisses.

 “Fucking feline.” I straighten.

“You frightened her.”

“I frightened her? She’s the one with the claws, Martin.”

“She’s still traumatized,” he says. “Give it time.”

Dido stares at me with satisfied eyes and begins purring so loudly I have to turn up the volume.

* * *

“This cat is ruining my relationship,” I tell Jeremy, my paralegal and only close girlfriend. “I’m beginning to think this would be simpler if Martin was having an affair.”

“He is having an affair,” he says.

“What do you mean?”

Jeremy shakes his head. “The name he chose. Dido is the other woman.”

Martin now volunteers at the animal shelter in Ballard. He began going Thursday and Friday afternoons while I was at work. 

“Isn’t one rescued cat enough?” I ask when he tells me he has decided to volunteer on weekends too.

“There is so much need out there,” he says. 

“There is need everywhere,” I tell him. “You can’t rescue them all. What about your book?”

“I’m taking a break,” he says. “These cats. Just spending a few hours a day with them makes all the difference in their lives. You should join me.”

I tag along one Saturday. He leads me into the cat room, low-ceilinged with stainless steel cages along the walls, stacked three high, each containing expectant, pleading eyes. Some cats meow while others stare in silence. I feel like we are starring in some performance piece in the round. 

Martin puts me to work cleaning litter boxes and refilling water dishes. I yell out when one cat bites me as I’m reaching in for his dish.

Martin looks at my finger, blood beginning to bubble up through two pinpricks. “You’ll be fine.”

“Shouldn’t we tell someone?”

“If you say anything, Tom-Tom will be put back in quarantine.”

“Maybe he should be.”

Martin’s eyes narrow. “You stick a cat in quarantine and they’ll be alone for ten days. You have no idea what’s that like.”

 “I have some idea,” I say. “What it’s like to be sequestered.”

“What’s that supposed to mean?”

“Jesus, Martin, it’s a sunny Saturday afternoon, which is about as rare as a lunar eclipse in this city, and we’re in here shoveling litter.”

“I didn’t force you to come.”

“No. Of course not. But how else am I going to get your attention these days? Crawl into one of these cages?”

Martin shakes his head and turns back to Tom-Tom. An overweight vet tech enters wearing pink scrubs. She smiles at Martin and passes between us. He follows her into the next room.

I turn the other way, leave the shelter, and go for a long run along the waterfront. I can’t pretend to love these creatures, and I know Martin thinks I’m abnormal. This shelter visit another failed audition for a role I never wanted in the first place. Dido brought a part of him to life I didn’t know existed, a maternal quality. I would think it lovely if I had such a quality lurking within me. If I had, like him, been raised with little animals scurrying around the house.

The only animals in my house were three gerbils, given to my older brother and kept in the basement in a cracked aquarium. I named them Ariel, Cally, and Samantha, and I visited every morning and every day after school—until my brother, out of brotherly spite, moved them into his room and locked the door. I was so jealous of him for having little creatures to call his own that I pretended from then on that they didn’t exist. 

Perhaps if I had been properly raised with pets, I’d be different now, the way children soak up second languages. Either there was something I did not soak up, or it was never there to begin with. 

* * *

I text Martin from the office, inviting him to a romantic dinner. I suggest the new Italian place on Pike, but when he replies with an offer to cook, I feel as if I’ve won a summary judgment. 

We’ve endured two months of silent cohabitation, me working late during the week and Martin absent on weekends. Tonight will be different. 

I sneak out of work and arrive home to the smell of sautéed garlic. Martin is busy at the stove. I kiss him on the neck and pour a glass of wine.

I sit at the table and look out over the city, feeling a sense of relaxation I have not felt in months. Martin used to say that cooking calmed him, gave him a sense of accomplishment absent from the rest of his day. What calmed me was my participation—chopping vegetables, washing a dish or two. But these dinners ended when Dido arrived—baked brie and risotto replaced by rescued cats. 

Martin brings the plates and sits across from me. I raise a wine glass and wait for Martin to reciprocate, but he’s staring off at a corner of the room. 

“What’s wrong?” I ask. My eyes follow his, since I assume this has something to do with the cat. “Is it Dido?”

“No,” he says, then stands and stares at the ceiling like some petulant child, and I realize I’m going to have to squeeze it out of him. Men. The closer you get to the truth, the more tightly they cling to it.

“Martin, what’s the matter?”

“It’s hard to explain.”

“Patent law is hard to explain.”

“I’ve met someone,” he says. “At the shelter.”

“Someone?”

“Tami. A vet tech.”

“Stop. Back up.” My mind reboots into lawyer. “You’re having an affair?”

“I’m sorry.”

“With Tami.”

“She lives in Snohomish. I’ve decided to move in with her.”

I’m trying to picture this woman. Pink scrubs.

“You mean the fat girl?” I ask.

“I knew you’d say that.” He walks to the closet and removes his luggage, already packed. Then he removes a cat carrier and opens the gate.

I want to slap the bastard. I want to push him off our seventeenth-floor balcony onto Western Avenue. 

He scoops up Dido.

“No,” I say.

“Excuse me?”

“No fucking way. Put the cat down.”

‘But you hate her.”

“I hate you.”

“I can’t just leave her here with you.”

“You can pick her up tomorrow,” I am standing. I grab the carrier away and throw it across the room. “Put her down, or help me God I’m going to start screaming.”

But I already am screaming. The cat has sprung from Martin’s arms and run under the television console, and he couldn’t get her out from under it even if I’d given him the chance. Martin fumbles with closing the door behind him. I lock the door and take a deep breath. 

I pick up the phone and instruct the front desk to change the lock. 

* * *

I’m on a conference call the following afternoon when my office door swings open. Martin’s face is burning. 

“How dare you,” he says.  “You don’t even like Dido.”

“You have no idea how I feel—just as I clearly had no idea what was going on in your twisted mind. I paid the cat fee, security deposit, food, vet bills. I have more legal right to that feline than you do.”

“I’ll take you to court.”

“Please. I’m the best lawyer you know. And I’m opposing counsel.”

I watch the words sink in. Martin exhales. His shoulders slump. He sits. He’s wearing a shirt I don’t recognize.

“Do you want me to beg? I will.”

“If you really loved Dido, you wouldn’t have left her.”

“I left you,” he says.

“In the eyes of the law, you left us both.”

Martin stands. “I’m going to get her back,” he says.

“Be my guest. I’m always up for a challenge.”

Later that night, I finish the leftovers of Martin’s meal with Dido perched at the far end of the table, back to me, staring at the door. 

“Sorry kiddo,” I tell her. “It’s just you and me now.”

* * *

Martin had identified six meows. 

The feed me meow. 

The good morning meow. 

The calling for other cats meow. 

The where have you been all day meow. 

The about to use the litter meow. 

The looking at seagulls meow. 

I never could tell them apart, but I’m quite certain that Dido is now using the full repertoire, all night long, every night. 

She sits at the foot of my bed and wails. The first night, I tried locking her out of the room, but she just stood outside the door and turned up the volume. Then clawed at the door. Then figured out how to open the door. 

I began using earplugs. That only spurred the little miscreant to position herself next to my head. 

One night, at three in the morning, nerves spent, I remove the carrier from the closet and I wave it at her. 

“You think I wouldn’t fucking do it?” 

She sits at the foot of my bed, expectantly. She knows I am bluffing. That or she is hoping for a way out.

I return the carrier to the closet and bury my head under a pillow. A few minutes later she is seated on my nightstand filling the room with one of six meows.

* * *

Jeremy hands me a coffee as I yawn into a fist. “Cat?”

“It’s like having an infant that won’t sleep the night.”

“And you still refuse to get rid of her?”

I wave him out of my office. Of all people, I know the value of a contract, and now I have nothing but this furry bargaining chip. 

“My friend Eddie has this little terror of a tabby,” says Jeremy later that day, during a break in a deposition. “Peed on their carpets. Clawed everything in sight. Then he hired Ron, and a week later—problem solved.”

“Ron?”

“They call him the cat whisperer.”

“Have you met this whisperer?”

Jeremy shakes his head.

“What did this person do? Give the cat pills?”

“Eddie says Ron just talked to the cat, played with him. Like therapy.”

“I refuse to hire a cat shrink.”

“He saved their marriage.”

“It’s too late for that.”

“Plus, Eddie says he’s got an amazing ass. I’ve been dying to see it.”  

Martin took a major standard of living hit when he left me. Now he is living on the east side of Seattle in some generic apartment complex with a shitty walk score and a woman who can barely support herself. I remember her from the shelter. In her scrubs like some nurse. The way she passed between us in the cat room. If only I had spent more than one afternoon there, maybe I would have seen it coming. 

The next evening, I am sitting in my car in front of Martin’s apartment. The information Jeremy can unearth when I promise him a half day.

I watch Martin emerge from the apartment, alone, dressed for his run, right on schedule. He looks up at the mist, raises a hood, and starts. I follow in my car. 

He’s wearing the same jacket as the day I met him. It was raining then too, and I had beaten the movers by eighteen hours and was irritated to have so much empty time. I wandered the streets until I found a small park overlooking the sound. Tourists, umbrellas, selfies. I watched a ferry headed toward Bainbridge and wished I was on that boat because at least I’d be headed somewhere. 

I felt self-conscious so I took out my phone and pretended to be busy. I opened a dating app. My fingers scrolled through all the available men in my vicinity. The faces were new, but so much else felt sadly similar. Men who loved to travel, try new restaurants. Men who sailed, summited Rainier, hiked the PCT. Men who had children. Men who wanted children. Men who loved children.

I heard his voice, looked up. He was asking directions to the Sculpture Park, and I didn’t see him clearly at first because there were tears in my eyes.

He had just moved to Seattle and was looking for an apartment, living out of a hostel. And he laughed when I told him I did have an apartment but would probably be more comfortable in a hostel.

I treated him to a trip up the Space Needle. From there, I pointed out what I thought was my apartment, and I invited him to stay. For a week or two until he found a place of his own. 

I have stopped at a light, and I watch Martin getting away. I picture myself the star of a David Lynch film, the camera tight on my face, tense music. Do I accelerate and cut the runner off and yell at him in the middle of the street? Or do I accelerate and swerve into him? 

I turn the car around and park across the street from his apartment and close my eyes. And for a moment I am back at my own apartment, listening to the rain against the glass, waiting for Martin to return from his jog.

When he returns, pacing back and forth, his head steaming, glasses fogged, I lower the car window. This is my plan. I will call out to him and he will join me in the car and I will apologize. I will ask, beg, for him to return to me. 

But I am too late. The door closes behind him, and I watch shadows moving against the curtains. I get out of the car.

Then I notice the curtains moving, parting. A cat has slipped between the curtain and the window—gray with a white chest—and it studies me. All this time, I thought there was only Dido. 

I get back in my car.

Later that night, I am coming out of a dream when I hear breathing next to my face. I can see Martin’s face, the short nose and stubbled double chin and they way he stares at me. Those eyes dark and reflective, and I can see myself in them. He is talking, and I can’t hear him over the noise. I ask him to speak up but the noise is so loud, a scream.

I am the one screaming, Dido’s claw hooked into my left nostril. 

I grab at her collar and squeeze until she disengages. I toss her out of the bed and hear books falling. By the time I get the light on, the cat is limping across the living room floor, tail dragging. By the looks of the damage I had hurled her into my tower of unread books. The next morning, a Band-Aid on my nose,I tell Jeremy to make the call.

* * *

I answer the door. Jeremy is standing there, dressed for a date. 

“Is he here yet?”

I shake my head.

“Mind if I wait with you?”

“Sure, whatever.”

Jeremy looks around. “Where is the little Beelzebub?”

“Staring out the window. She took a crap on my pillow yesterday while I was at work. I believe that’s what they call passive aggressive.”

“That’s not passive aggressive,” he says. “That’s aggressive aggressive.”

I open a bottle of wine and pour out two glasses. The front desk calls to let me know Ron has arrived. 

“He’s on his way up,” I say, and Jeremy rushes into the bathroom to check his hair.

When I open the door, I see a man in jeans and flannel shirt carrying what looks like an old metal toolbox. He says nothing.

“Are you Ron?”

“I am.” He walks past me. 

Jeremy extends a hand. “I’m Jeremy. The person you spoke with. I was hoping I could watch. The session.”

“I work alone with my clients.”

“Clients?” I ask. 

“Where is she?” he asks. I point her out, now crouched on the back of my leather chair, watching us.

“What’s her name?”

 “Dido,” I say. “And, for the record, I didn’t give her that name. You think she blames me?”

Jeremy giggles, but Ron says nothing. He kneels down and opens his toolbox, which I realize is an old fly-fishing tackle box. He removes several pieces of bamboo and assembles them into a sort of fishing rod.

“Going fishing?” Jeremy asks.

“In a manner of speaking,” he says as he strings a small fake mouse, colored purple, to the end of the rod. Dido slowly approaches, tail in the air, and follows him into the bedroom.

“You think he needs an assistant?” Jeremy asks.

“If this doesn’t work out, you’ll be available.”

Jeremy follows me out onto the balcony, and we watch a container ship making its slow escape from the harbor. 

“You need to take a cruise,” Jeremy says. “Get your mind off things.”

“Too many people.”

“Must be weird to be alone again.”

“I’m not alone. That’s the problem.”

Ron emerges from the room. Dido follows a few steps behind, her tail curling upward like smoke. 

“So?” I ask.

“Dido is full of rage.”

“No shit.”

“I’ll need two more sessions.”

We watch him return his toy to the toolbox. I try rolling my eyes at Jeremy, but he is too focused on the man’s backside. And I must admit the man is built like a lumberjack. He starts for the door.

“Wait,” I say. “Is that it?”

He gives me a blank look. “For now.”

“What all did you do with her in there?”

“We played.”

“You played. And how much do I owe you for this playtime?”

“Two-fifty.” 

“That wasn’t even an hour.”

“I explained everything to your assistant.”

“I’m sure you did. I just assumed I was paying for more than cat R&R. I mean, for this kind of money I’d expect more out of this cat than a better mood. Like the ability to open her can of food. Do her own litter.”

“Speaking of that, it needs cleaning,” he says. “I’ll see you Monday.”

The door slams shut before I can respond.

“Can you believe that? The nerve of that man.”

“He is so hot,” Jeremy says. “I have to get a cat.”

* * *

I am seated cross-legged on the couch, laptop balanced on top. I feel movement and look over to see Dido sitting on Martin’s cushion. 

This is a first. Dido has never shared the couch with me. Could this be progress?

I tentatively reach over to pet her. I try to do it the way Martin did, not from in front of her face but from behind, gentle. My hand rests on her head, and I find myself smiling. I feel I have passed a test, made some sort of breakthrough, and I suddenly want to thank her for suffering me all these weeks, for letting me in. And for the first time I can imagine a life together. A peaceful coexistence, which was all Martin and I enjoyed anyway. Why can’t I enjoy this? Must my life consist only of adversarial relationships? 

I feel before I see that her head has swung around, her jaw landing on my wrist. 

I don’t push her away. I let her teeth pierce the skin, going deeper. I welcome the pain. Even pain is a currency. A point of negotiation. The absence of accustomed pain is in itself a form of pain. I watch the blood trickle down my arm. I think of the slipcover, the cleaning deposit on the carpet.

I am no match for her, and I yank my hand back. She jumps to the floor. I’m shaking.

“Martin left you too, sweetheart. It’s time you got on with your life.”

* * *

Truth is, I could have had the front desk give Ron a key to my apartment. He could do his business and be gone before I got home from work. 

On his second visit, I ask Ron to let me sit in on the session. 

He looks at me for a moment like I’m just another one of his cats. His eyes are blue, and he has a habit of massaging his neck when thinking, exposing firm biceps, which he is doing now. “I will call you in when I’m ready,” he says.

I go into the bedroom and wait. I can hear them out in the living room. Sounds of a cat galloping from room to room. 

“We’re ready for you,” he says.

I sit on the couch and watch the way he plays with her, how focused she is. A ballerina on hind legs, paws extending, twirling. It occurs to me that Ron is nothing like Martin. With Dido, Martin sought out purrs and intimacy. Ron seeks only to work the cat out, dispensing trivial doses of attention, minimal eye contact. As if he is working with a hardened convict.

“How do you do it?” I ask.

“There are no secrets—no secret language, if that’s what you’re getting at. Cats were here before humans. I think at some level they all know that. If you look into a cat’s eyes, really look, you’ll see it. Something you won’t see in a dog’s eyes.”

”What?”

“Resentment,” he says. “Which is the highest form of intelligence.”

“Everything is claws with her.”

“She hasn’t learned how to use soft paws,” he says. “She’s like you.”

“Me?”

“You’re a lawyer,” he says. 

“I don’t get paid to be gentle.”

He hands the toy to me. “You try.”

I jingle it in front of her. She is motionless.

“See. Nothing.”

“Not in front of her face like that. You make it too easy. You have to give her a challenge. Keep it out of reach. Slow it down.”

I do as instructed but Dido is now staring in the opposite direction. 

“She hates me.”

“Appears the feeling is mutual.”

“I don’t hate her,” I say. “I just don’t like cats all that much. My ex was the cat lover.”

“Why didn’t he take her?”

“It’s complicated.”

“You’re using her for ransom?”

“I’m the one with all the money.“

“How long has he been gone?”

“Six weeks.”

Ron rubs his neck again. “He’s not coming back for Dido.”

“How would you know? Martin is not a cat.” 

“He’s a man, and I know a thing or two about that species as well.”

I feel a tug on my hand and I look down to see Dido playing with the toy. 

“I wasn’t even doing anything.”

“You let it drop behind your shoe. She couldn’t see it, she couldn’t hear it, so she had to have it. Silence means more to a cat than noise,” he says. “Cats are minimalists.”

Ron kneels down and opens his toolbox. He reaches up for the toy.

“I’m not done yet,” I say.

“I have to go.” He grabs the toy and I tug on it playfully, until I nearly coax a smile out of him. 

“How about a drink?” I ask, standing by the door, blocking it. He looks at me, and I think he is considering it, but then he opens the door. Before I know it, I have grabbed the belt loop of his jeans and pulled him to me.

 “What are you doing?” he asks.

I say nothing, and now I have my right hand on his right butt cheek, holding tight, feeling it flex as he tries to turn. And I’m now one with him. My other hand on his other side, grabbing just as firmly. And my mouth on his evasive mouth until I hear the door fall closed again. 

Later, in the dark, we lie naked on the couch. He is staring at the Space Needle.

“What did you do before this?” I ask.

“Fisherman.”

“Not exactly a lateral move.”

“I woke up one morning and realized that I was on the wrong side of life.”

“What do you mean?”

“There is a right side and a wrong side. Those who kill for living are on the wrong side.”

“Somebody has to do it.”

“No,” he says. “Nobody has to do it.”

“So I take it you given up on seafood.”

“All animals.”

“Oh, I see. You’re one of them.”

“Them?”

“You know. People who try to make the rest of us feel guilty about eating meat.”

“I don’t have to try,” he says. 

He pulls away. I hear him getting dressed.

“I didn’t mean anything by that.” I sit up and turn on a light. Dido is high on the bookcase, looking down on us with knowing eyes. 

 

* * *

Ron doesn’t show the following Monday. Nor does he return my calls. 

“Typical male,” Jeremy says. 

Walking home, late, I check email. An invoice for $500 with one line item: Feline behavior sessions. Payable Net 30.

The cat has torn a linen couch pillow to shreds. She sits on the kitchen counter with a fuck-you look.

I park the cat carrier on the dining room table. 

Dido climbs on top of the bookcase. I reach up for her and grab a hind leg. She slashes me but I hold on. She is biting me now. 

Some people are cat people. Some are dog people. But what if you’re none of the above? What if you are unfit to care for any pet? 

Even gerbils.

My brother quickly lost interest in his gerbils, which stands to reason because our parents had already lost interest in us. Three weeks without food. That’s all it takes to turn childhood pets into cannibals. 

I, following the smell, was the one who found Ariel, alone and skeletal. I watched her die, surrounded with lettuce and sunflower seeds, my feeble attempt at rehabilitation. When my father returned from Dallas, he yelled at my mother, who yelled at my brother, who yelled at me. If I were a lawyer then, I would have sued them all for negligence and abuse. But I was only ten years old. The best I could do was convince my father to let me bury Ariel in the backyard. 

The Space Needle is blurry, and at first I think it is raining. My body trembles when I feel her, the fur, curling up on my lap.  The purring begins and grows louder, like an ocean. 

* * *

I place the carrier on the front porch. I kneel to look at her one more time. Her eyes are black, unblinking. I don’t dare poke a finger through the gate. 

Martin answers the door. When he sees the carrier he studies my face for sign of a practical joke. 

“She missed you,” I say.

He kneels at the carrier, and she meows at him. When he stands, Dido in his arms, I see tears in his eyes. 

“Which one of her meows was that?” I ask.

“I don’t know,” he says. “Must be new.”

The cat is purring now, and they are both staring at me with satisfied eyes. 

* * *

A month later, driving through the city at night, I see a dead animal off to the side of the road. Raccoon? Possum? I tell myself to stop asking such questions. The animal is dead. But these are the questions I now ask. Since Dido. Since Martin trained my eyes to see them. Sniffing around dumpsters. The far corners of parking lots. Emerging from under mufflers. Tails low. Collarless. Were they always there? Or was I always so blind?

I turn towards Ballard.

Tom-Tom is still there, along with the god-awful name the shelter gave him. I vow to change it.

Back at home, I open the door to the carrier and watch him take his first tentative steps, as if he is walking on the moon. Which my apartment must feel like after two months of living in that shelter. I am lying on the floor, at eye level, as he sniffs at the clawed-up couch.

“You’re an only cat,” I assure him. “But I have to be honest with you. I’m not a very good cat person. Still learning to use soft paws.”

He tilts his head and rubs against my forehead.

“But you are a good little boy,” I say. “Such a good little boy.” 

END

A HOLY THURSDAY LAMENT or THE LAST NIGHT ON EARTH

CAST OF CHARACTERS

PROFESSOR: A homeless, mid-40’s African-American man, who obviously grew up in a decent neighborhood and had a very good high school education.  A very philosophical type yet physically domineering.  He goes from a contemplative reverie to friendly communication with CRISPUS during the play.

CRISPUS: Another homeless, African-American man, mid 30’s who, unlike Professor, has spent almost all of his life working.  Very little education.  A bit hardened by his experiences but he does like and respect PROFESSOR.

TIME:  It is present day.  A night in early spring.

SETTING:  Some vacant lot in the city. A wall full of graffitti is in the background and mounds and mounds of garbage.

A HOLY THURSDAY LAMENT or THE LAST NIGHT ON EARTH

(Curtain opens with a scene of piles 

and piles of trash, under which, hidden from the audience, CRISPUS 

is sleeping.  PROFESSOR kneels

center stage, gazing up at the sky.

He says his lines without looking at CRISPUS.)

PROFESSOR

What goes through one’s last night on earth?  What thoughts flutter like demonic butterflies or lay heavy like anchors on your chest?  Men . . . women . . . teenagers! . . . yes, even children!  Awaiting execution or lying in hospital beds knowing that the fight is over, the end is soon.  Jesus . . . or Bigger Thomas . . . or Plato . . . or Saddam Hussein — how did they deal with the scant, dim hope that must arise that somehow — somehow! — the absolutely inevitable might not take place!

CRISPUS

(Sitting up, rising out of the trash.)

Shit, man!  What kind of smack you talking when you should be sleeping?

PROFESSOR

I’m talking about . . . the Unsayable.   The Unspeakable.

CRISPUS

You mouth sure moving an awful lot for something Unsayable.

PROFESSOR

Crispus, did the thought ever take hold of you — I mean really possess you — that we are essentially no different than, say, a brave person who performs a heroic act?

A Holy Thursay Lament, p 2

CRISPUS

What the — we live in a shithole.  We live where no one can ever find us or really help us or see us.  We broke.  We fuckin’ invisible.  What we got in common with some superhero?

PROFESSOR

The darkness!  We somehow have wound up running our fool heads off deeper and deeper into the darkness.

CRISPUS

(Leans closer to PROFESSOR.)

Man, the way you talking it sound like you gonna off yourself.

PROFESSOR

(Laughs.)

No, no.  Not at all.  I’m talking about why we are here?

CRISPUS

‘Cause we broke.

PROFESSOR

Aw, I know that.

CRISPUS

‘Cause we poor.  ‘Cause we ain’t got shit.  ‘Cause no one want us.  That enough “causes” for you?

PROFESSOR

But that’s just it!  That’s the darkness!  What is the very reason for our existence?

CRISPUS

Aw, fool, don’t be so poetic.  Shit bad.  We survive one day or a few — we doin’ good.  Case closed.  Now, lemme sleep.

(Lays back down.)

A Holy Thursday Lament, p 3

PROFESSOR

  (Turns to CRISPUS.)

What are you running from?

CRISPUS

(Rising up quickly.)

Running!  Do it look like I running?  I had a job, home, a bit of family!  I lost it all.  Lost it!  Weren’t no running.

PROFESSOR

And you ended up lost in this night of — what? . . . Nonexistence?

CRISPUS

Look.  One day or another, unless a miracle happen, you and I gonna die.  Maybe, it be soon.  Maybe not.  Maybe it stupid fighting it off —

PROFESSOR

And, maybe, if we just give it up, death will come to us like a puppy.

CRISPUS

(Pauses, leans closer.)

Ah, look, man.  If you thinking of offing yourself, lemme have your boots.

PROFESSOR

(Laughs loudly.)

Hey, when I’m gone you can have it all!

CRISPUS

You ain’t got nothing but them boots.  Why you talking all this shit anyway?

PROFESSOR

Crispus, do you realize what day it is?

 

A Holy Thursday Lament, p 4

CRISPUS

It you birthday or something? Anniversary of bein’ broke?

PROFESSOR

Naw, I mean today is a day everyone knows about.

CRISPUS

Ain’t it Thursday?  We got grub at the Jewish place so it be Thursday.

PROFESSOR

Yes, but it’s Holy Thursday.  You know what that is, don’t you?

CRISPUS

That the day Jesus served bread and wine to everyone.  Now shut the fuck up.  You making me hungry.

(Lies back down.)

PROFESSOR

(Looks back at the sky.)

But, also, the night He agonized over His death in the garden — His last night on earth.

CRISPUS

And like I say, if you thinking it you last night on earth lemme have them boots.

PROFESSOR

I’m wondering if all men and women have the same feeling — wanting to hope but not wanting to give in to it because of what is inevitable, because if you’re going to die you want to do it right.

CRISPUS

Naw!  You just die, kicking and fussing and yelling at God to help your dying ass!

A Holy Thursday Lament, p 5

PROFESSOR

The way I’m thinking, hope might be the enemy.

CRISPUS

(Rises on elbows)

If hope the enemy then giving up the friend.

PROFESSOR

You see, Crispus!  You see!  It’s like we’re sandwiched between the two, hoping and giving up pressing in on us.  And we don’t want either because each could overwhelm us . . . and kill us!

CRISPUS

(Rolls over, back to audience.)

Shit!

PROFESSOR

(Sings in heavy metal, headbanger style.)

“I’m a social reject from the Christian Church

because I didn’t wear a tie on the Feast of Christ’s birth.

(CRISPUS  rolls over.)

And my shoes weren’t shined and my hair wasn’t combed

on the night when He prayed in the garden alone.”

CRISPUS

(Lifts himself up on an elbow.)

Where you get that, Professor?

PROFESSOR

(From this point on his reverie ends.  He talks to CRISPUS.)

I wrote it.

A Holy Thursday Lament, p 6

CRISPUS

Wrote it!

PROFESSOR

Yes, sir!  I wrote that when I was playing in a Christian rock band.

CRISPUS

Christian rock!  What black folks need rock when they got R and B . . . and gospel.  Rock ain’t nothing but the blues gone flat and funky.

PROFESSOR

We were part of the Afro-punk scene.  There’s a whole movement of black people who are into heavy metal — a whole movement, Crispus!  So some friends and I, being church kids, we formed what may have been the very first Christian Afro-punk band.

CRISPUS

Wanting to serve the Lord and all?

PROFESSOR

Well, that’s certainly what we said.  We were quite young, you know.  We just thought that it would be a cool job — writing songs and making music all our lives and having people love us for it.  We actually played at a few Afro-punk festivals.

CRISPUS

No, shit!

PROFESSOR

    (Gets on his feet.)

Oh, we had this really great song — a lot like Zeppellin’s “Black Dog.”

    (Plays air guitar.)

“Jesus was a guru.

He was a buddha, too.

Krishna and the others —

unfit to tie his shoe.”A Holy Thursday Lament, p 7

It had this driving bass line.  And I played a good rhythm to it.  And it was tight, so tight.  We were always so in sync when we played it.  It was like it was just impossible for us to miss a beat.  And the singer!  The singer did it like a black Pentecostal preacher.

(Mimics a preacher.)

He would criss-cross the stage, pointing his finger and staring down the 

crowd.  And the crowd!  Oh, my God, the crowd would just go nuts!  They were just a mass of energy and enthusiasm and enlightenment.  Like they were suddenly turned on by this one idea.  Just bopping their heads and gyrating and giving off this vibe like they were saying, “Preach it, brother!”

CRISPUS

(Leans forward, smiles mischievously.)

Lots of chicks, huh!

PROFESSOR

(Sits down, stretches out legs, more relaxed.)

There was this cute, little cinnamon color girl who used to follow us.  I don’t know where she got the money to do that.  First time I saw her, I thought, “Oh, that’s cool.  An Indian girl into our scene.”  But when I finally talked to her, I found out one parent was Black and Native American and the other was Afro-Guatemalan or something like that.  I talked to her a few times.  I really thought we might have had something.

(Pauses.)

CRISPUS

Oh, you ain’t leaving the story hanging there.

PROFESSOR

Well, the scene we were into, there was this vibe that sort of carried us.  Of course, we all thought it was God.  I was so certain, so freaking certain —

(Looks at palm of hand.)

as certain as I am that my hand is in front of my face  — that the band was going to make it.  Not make it big.  We all knew we’d never be big stars.  But successful.  We would be successful and the cute cinnamon girl and I would hook up, get married and I’d be teaching my sons and A Holy Thursday Lament, p 8

daughters to play guitar.  When it ended, Crispus, it wasn’t just the end of a band.  Or the loss of a dream.  It was the loss of feeling alive.

CRISPUS

So what happened?

PROFESSOR

Drugs.

CRISPUS

Yep.  Always.

PROFESSOR

We were really touring, really working.  All of us were just busting our ass to make it work.  It just got to be too much — and, well, prayer didn’t kill the pain or perk us up the way blow did.  I was lucky I wasn’t into it as heavily as our bass player.  My God, he was in rehab for years and years until he couldn’t take it anymore.

CRISPUS

What he do?

PROFESSOR

He jumped off a bridge.  He climbed all the way up in sub-zero weather, all the way to the top of that steel web.  Some asshole filmed the whole thing instead of calling the police.  Then he jumped.

(Sighs heavily.)

They found crumpled pieces of paper in the wastebasket.  It seems he made a few attempts to write a suicide note but just couldn’t find the right words.

CRISPUS

The Unsayable?

PROFESSOR

(Kneels again.)

It could be, Crispus.  It could be.A Holy Thursday Lament, p 9

(Sings slower, in a whisper.)

“I’m a social reject from the Christian Church

because I didn’t wear a tie on the Feast of Christ’s birth.

And my shoes weren’t shined and my hair wasn’t combed

on the night when He prayed in the garden alone.”

(Pauses.)

CRISPUS

(Kneels, too.)

You never get passed the garden part.

PROFESSOR

(Laughs, sits back, relaxed.)

I don’t remember anymore.  I just don’t remember what I wrote.  And it’s strange, Crispus, because I remember every single line of every single one of our songs but that one.  And it happened so quickly, too.  We just finished touring and we were partying, partying really hard. Well, I woke up on this bitterly cold winter afternoon in this unheated, skank apartment with the sun just blaring through the windows.  Everyone, everyone in the band was just lying all strung out and unconscious on the floor.  I started singing that song to perk me up because I felt just awful.  I stopped at that line, looked around at everyone, half-dead and blown away, and I said, “My God, we’re fucked!”  I left that day and went into rehab.  When I got out I didn’t have a dollar to my name and didn’t feel any sense of life at all.  So I just drifted.  I started running.

CRISPUS

You pray, Professor?

PROFESSOR

You know . . . if you asked me that at any other time, on any other night, I would have replied with an emphatic “Not anymore.”

CRISPUS

But?

A Holy Thursday Lament, p 10

PROFESSOR

But tonight, with all that my mind has been taking in and the feeling that’s growing in my soul here tonight, I can say that I’m not really sure.  I’m just not sure if I’m praying or not.

CRISPUS

How you mean?

PROFESSOR

Well, it could be this running in the dark of night is somehow prayer.  It could be this fine line between not letting hope take too much control and yet not going the other way and giving into despair  — this is in some way a form of prayer.

CRISPUS

It just survival instinct.  We do what we do to survive.  No different than fish or squirrels or bears.  Just humans more complicated and talk smack and call it “the Unsayable.”  Ain’t no prayer, Professor.

PROFESSOR

I don’t know. Crispus.  The survival instinct is something that keeps you alive just for the sake of being alive.  But what if in this situation of ours, this continual last night on earth we always experience, what if there’s something we can find or discover here.  Some . . . well, some new thought or new idea or new experience that no one else has had.  Or only people like us, like we are, we’re the only kind of people who can find it.

CRISPUS

(Leans closer, whispers)

Professor, you know the Holy Thursday story?  

PROFESSOR

Of course, I do.   I was a church kid.  I heard that story year after year after year.

A Holy Thursday Lament, p 11

CRISPUS

Yeah, well, you don’t remember it too well.  Know what Jesus found that night?  Judas!  Judas come, give Him a kiss and then the cops rush in and haul off his ass.

PROFESSOR

But do you remember the guy who ran off naked?  They grabbed him by that linen cloth he had wrapped around him and as he pulled away it ripped off.  And he ran into the night.  What did he find eventually?

CRISPUS

Cops, fool!  Cops somewhere beating his ass then arresting him ’cause he got no clothes on.  Now lemme get some sleep.

(Lays back down, arms across chest.)

PROFESSOR

Ha!  The spirit is willing . . . 

(Sings softly, slower.)

“I’m a social reject from the Christian –“

CRISPUS

    (Sits up, quickly.)

You ain’t gonna let me sleep, is you?

PROFESSOR

An important meeting early in the morning?

CRISPUS

SHIT!

PROFESSOR

(Looks at him.)

Do you pray, Crispus?

A Holy Thursday Lament, p 12

CRISPUS

Naw.  Maybe when I was a kid.  My Ma drank so we really never got into church a lot.  I worked.  Soon as I could.  Lied about my age and worked after school and weekends.  Let me tell you, I worked.  Barely got out of high school, I sleep so much in class.  But no, I never did pray.  Still don’t.

PROFESSOR

Never?

CRISPUS

Naw.  But there be this one time, weren’t too late at night when I’m walking down Jackson toward the Mission and I goes by the Holding Pen.  You know that little park they got there, we used to sleep before Bossman beat us outta there.  Well, I was going along and they have them hedges there.  Well, I hear someone singing that ole Sam Cooke song  — what’s she called?  Change — change comin’ down.

CRISPUS and PROFESSOR

“A Change is Gonna Come!”

CRISPUS

Yeah, that it.  Well, I hear this baritone, he sing about — how it go? — being born on the river and he and the river still flowin’.  Something like that.  Anyway, it be the voice, the voice and the way the words carry out into the night.  Well, it makes me stop, just stop and say, “So this what church folks feel.”  That the closest I come to anything like prayer.

(Still kneeling, PROFESSOR leans close to CRISPUS.)

PROFESSOR

Do you remember the night LaShaun was killed?

CRIPSUS

(Lays back down.)

Fuck off!

A Holy Thursday Lament, p 13

PROFESSOR

It’s sad.

CRISPUS

Fucking sad.  Now, leave it alone.

PROFESSOR

Her life was a series of “if’s.”  If her mother wasn’t alcoholic, if she didn’t get involved with crack, if she didn’t meet Bossman that night —

CRISPUS

(Jumps up quickly, grabs a board, starts swinging it violently.)

If she had a better bigger brother!  Huh?  If her bigger brother be a better man!  Right, Professor?  Right?  That if, too.

PROFESSOR

Yes.  That if, too

CRISPUS

(Makes to attack PROFESSOR.)

You goddamn son of a bitch.

PROFESSOR

Is it true, then?

CRISPUS

No! . . .  No.  Shit!  

(Flings the board down, violently.  Paces back and forth.)

I did everything I suppose to do.  Work 40 hours a week.  Grab me all the overtime I can.  Get me a weekend job.  I work and work and work and I bring the money into the home and it go out by Mama’s drinking and her drugs.  In the end, I couldn’t trust neither of them!  You know how many times I have to sweet talk the judge and kiss cops butt to get her black ass out of jail.  LaShaun owe me big time and she ain’t never gonna pay me back.  I shoulda pushed her ass out into the street — that’s what I should A Holy Thursday Lament, p 14

have done.

PROFESSOR

But you didn’t.

CRISPUS

(Collapses on the floor, sits holding knees.)

She my sis.  She kin, that’s why.

(Sighs, heavily.)

Shit, I remember her as a little kid with these braces, you know.  And tall — ooh, that girl be tall!  Taller than any girl her age, a real beanpole of a girl with this big smile full of braces.  Use to think, “Damn, those braces expensive!”  And I see that smile, like . . . like the Cheshire Cat —

PROFESSOR

Alice in Wonderland!

CRISPUS

Through the Looking Glass.

PROFESSOR

Oh.

CRISPUS

Anyway, I see that smile and I think she gonna be beautiful.  She gonna be one real pretty girl and have every player in the neighborhood gettin’ in her drawers and she never gonna be able to tell the difference between a player and a real straight guy.  And then she get pregnant and lose all that prettiness.  Then I worry she ain’t gonna be pretty.  She gonna wind up being some old sour church lady thinkin’ the world so bad that Christ coming soon — though He ain’t shown up in two thousand years.  And she gonna look down on young people because they havin’ fun and living.  And then I don’t know what the fuck to wish for.

PROFESSOR

So what did you do?A Holy Thursday Lament, p 15

CRISPUS

Bury myself in work and hope I have ‘nough money to fix things if they go wrong.

PROFESSOR

And they did.

CRISPUS

There this one time, this — one — time.  She come in with those braces and that smile and those skinny beanpole legs sticking outta shorts and she got this puppy.  This little black puppy all squirming around in her bony fingers and licking her face and she got just this big goddamn beautiful smile! 

(Rises and starts pacing back and forth.)

Well, I launch into “What’s the matter with you, girl, pets is expensive and don’t you care none that your Mama got allergies?”  — which be the lie I used to cover Mama’s drinking and she knew it a lie.  And don’t she want to go to college and better herself and all.  And then I tell her to take that puppy back where she got it.

(Stops suddenly, stares into space, begins to tremble.  He speaks haltingly, as if he can’t breathe.)

And I never see that smile again.  Never again.  The braces come off and no smile.  Big birthday parties and no smile.  Driver’s license. Good grades in school —  “I’m proud of you, girl!”  And no smile.

(Begins to cry.)

A fucking puppy.  A fucking puppy.  Her insides die over a fucking puppy.  I killed her.  I did.  Years before that son of a bitch copper Bossman.  That fucker and I — we both did it!

(Comes over and towers over PROFESSOR.)

And me?  Me?  I’d give anything for another chance.  I’d cut off both arms, live in a wheelchair and piss in a bag.  I’d gladly end up like this again and die right here —

(Points to where he was sleeping.) 

Yes!  Right here in this shitpile with a big shitass grin on my face if I could go back and just let her keep that mother fucking puppy.

A Holy Thursday Lament, p 16

PROFESSOR

But here you are.

CRISPUS

Ain’t that simple.  Or maybe it is.  I just didn’t get out of bed one day.  I just shut down.  Didn’t even make the decision.  Didn’t say, “I give up.”  I just couldn’t get out of bed.  They stick me in a mental hospital and I’m in there for weeks and weeks.  Then they kick me out.  Lost my jobs. 

LaShaun and Mama lost the apartment.  And like you — whatever inside, it gone.  But there’s no running.  Just drifting.

(Collapses to the floor, head between his knees.)

LaShaun dead.  No matter who kill her or how she die.  And it happen long ago.  Why bring it up now?

PROFESSOR

It was a life that was touched by uncertainty.

CRISPUS

She dead, fool. Ain’t nothing uncertain about that.

PROFESSOR

But, Crispus, don’t you see?  Her life was such a long series of “if’s.”  I suppose every single life is.

CRISPUS

‘Spcially after you dead.  Can say all the “if’s” you want.  Don’t change nothing.  You dead.

PROFESSOR

But we’re not dead, Crispus.  We’re alive, still.  But why are we here?  Why are we sitting in some vacant lot instead of me touring with that cinnamon girl and you and LaShaun and your Mama living in a nice house somewhere and not busting your ass anymore?  What “if” did we not see or overlook?  Or could we have seen it?  And — and is there something to discover in this darkness that we wouldn’t find in, say, a penthouse?  We have memories, thoughts, ideas wrapped around feelings 

A Holy Thursday Lament, p 17

and dreams and emotions.  Bears and squirrels don’t have that.

CRISPUS

So what you gonna do?  How you gonna figure this out?

PROFESSOR

Listen,!  Do me a real big favor, Crispus.  Let’s keep a vigil.  A holy vigil.  Let’s stay awake all night until the sun rises.  And . . . and . . . well, let’s remember LaShaun and think why Bossman is such a mean, badass cop.  

Let’s go back and retrace how we got so fucked up; maybe, what we should have done instead.  Let’s try to remember as much as we can and see if we can find some truth in our lives.  Bascially, let’s sing and pray and wait.

CRISPUS

Like Christ waited for Judas to bring death.

PROFESSOR

Maybe.  Maybe.  But, let’s see if we can dig some truth out of our lives.

CRISPUS

Well, you ain’t gonna lemme sleep anyway.

(Moves closer to PROFESSOR.)

What you want to try to remember first?

PROFESSOR

Well, let’s see.  We should start with something simple I guess.  Hmm.  Okay.  Let me see if I can remember all the lyrics to that song first.

“I’m a social reject from the Christian Church”

(Lights begin to go down slowly.)

“Because I didn’t wear a tie on the Feast of Christ’s birth.”

PROFESSOR and CRISPUS

“And my shoes weren’t shine and my hair wasn’t combedA Holy Thursday Lament, p 18

on the night when He prayed in the garden –“

(Lights out.)

 

Bondservant

These mountains are killing me—killing all of us—though I know it’s in self-defense. Getting away from here is all I can think about as I step off the bathroom scale, skim my jeans over my pelvic bones, take up the slack inch of denim with a safety pin. Another pound has slid off me this week, even though I shoveled the last of an orange-glazed Bundt cake into my mouth yesterday. Missy’s momma baked the cake for Paw, but my father-in-law wouldn’t eat it, sent it home for Jasper and me to share. Paw won’t eat much of anything these days. He went from mining to logging when the coal dust sucked the air from his lungs, then from logging to sitting on the couch when his Crohn’s disease turned to cancer and his body started dissolving. Like mine seems to be doing.  

My ribs look more like a washboard now than four years ago in high school when they nicknamed me Bony Romie. I worry maybe I have Crohn’s, too. It’s wiping out half the mountain, what ones don’t die of cancer or black lung. The GI doc in Bluefield told Paw he’d called the CDC down in Atlanta, told them they should start tracking it. Said it wasn’t normal for Crohn’s to nest in an area like it had in Stump Branch. Paw and the doctor think it has something to do with the coal mines—something they’re pumping into the ground, or something they’re pumping out—probably the same thing that’s causing the grass to burn up and the fish to swell and lay on the bank like wall-eyed shovel heads. 

The smell of sweet cornbread baking wafts into the bedroom, and my mouth waters, but I ain’t hungry. Food sometimes turns against me these days, causes a quick rush of nausea. It always passes, though. Paw told Jasper the same thing happened to him right before he was diagnosed.

I put away the pink Myrtle Beach 2012 t-shirt from our last vacation, pull down one of Jasper’s bulky West Virginia Mountaineers sweatshirts instead. It’ll hide my ribs and the little swollen paunch that’s shown up low on my belly.

“Anybody home?” Jasper calls from the living room. Our trailer trembles when he slams the front door behind him, and I massage the dull ache building behind my temples.

I snatch the notice about the mountaintop-removal-mining protest from the dresser, shove it into the drawer before Jasper sees it. I hate the anti-MTR meetings and protests. The things they say about what’s happening to the land and to us who live here scare me, give me nightmares even, yet I can’t seem to stay away. The woman who invited me to my first meeting in the back bay of Walker’s Garage told me that what I didn’t know could kill me. Since then, I haven’t missed a one. I want to learn everything they’re teaching, see firsthand the changes taking place in the people of Stump Branch. 

I’ve watched a dozen locals become spies or environmental activists in a matter of weeks. Men and women I’ve known all my life have turned into scientists who show us soil and water samples, toxicology reports, easily pronouncing six-syllable words and reading long lists of deadly chemicals—and one of those men never finished high school. Funny how staring at death makes people smarter. 

Now I smooth back my hair and make myself smile, then head down our short hallway. “There’s my man.” I lean in to peck a kiss on Jasper’s lips, the only part of him besides his eyeballs that isn’t pitch black. “Did the nightshift treat you all right?” 

Jasper nods, sets his lunch bucket on the vinyl runner by the door, slides out of his dirty twill coat. “I smell cornbread.” His blue eyes light like propane flames, their brightness intensified by the mask of coal dirt surrounding them. 

“Can’t have brown beans without it,” I say. 

“Mmm, lady! I’d marry you again, if you weren’t already mine.” 

“Get cleaned up. Cornbread’ll be done in a jiffy.” I turn off the warming flame beneath the pan and spoon potatoes fried with onions into a blue-speckled bowl. “Might want to bring in your work boots off the porch, set them in the tub. We’re supposed to get a skiff of snow later this morning.” 

“Too early for snow. I ain’t ready for it, yet.” From the bathroom down the hall, Jasper’s voice echoes as if he is still deep in the mine. “You check on Daddy after work yesterday?”

“I did.” I add a thick pat of golden butter to the fried potatoes, the same thing I made for my father-in-law yesterday, and I think of the man’s yellowing, wary eyes. Paw—I’ve always called him Paw instead of Daddy, out of respect for my own daddy who died when I was a teenager—Paw’s sliding downhill fast. It isn’t just his sickness, either. His mind ain’t acting right. He’s not himself, and I worry he’s up to something. A no-good sort of something. 

A long pause settles between us before Jasper asks the heavy question I know will follow. “He send any more Oxy home with you?”

“On the bedroom dresser.” I set the table, stand by the kitchen window and watch the morning sunrise illuminate the miles of flat, beige scab that used to be a cloud-grazing piney mountain. I unclench my teeth and work my aching jaw. 

Ten minutes later when Jasper pads out of the bathroom bare-chested, barefoot and smelling of soap, I slide the pone of steaming cornbread onto the table. “Want milk for dunking?” 

“Heck yeah.” He flashes his white smile, and just like that, my icy mood melts.

Jasper picks up a slab of cornbread, slathers it with butter, takes a big bite and talks around it. “How many pills did he send this time?” 

I look out the window again, listen to the harsh wind whistle past the windowpane. No deep folds of mountain, no heavy forest out there anymore to hedge us in, protect us. “Didn’t count ’em.” I break off a piece of cornbread, crumble it between my fingers, watch the grains sprinkle onto the plate. “Felt like too many.” I dust my hands and take a long swig of milk to wash away the bitterness on my tongue.

“You’ll wish you had more, the day comes you ever need to sell ’em.”

I set down my glass hard enough to make my fork jump. “Dammit, Jasper, you been dying since the day you walked into that mine. I’m tired of you always planning for the day you don’t come home.” I stand, rake my food into the garbage can and run scalding water over the plate. 

“Don’t be like that,” Jasper says. “Sit down, honey. Eat.” 

“Not in the mood for cornbread,” I say.

“Want me to make you a sandwich? Peanut butter is my specialty.” 

“I’m not hungry.” I dry the plate, and I’m startled when Jasper breathes into my hair, slides his arms around me, pulls me back against his chest. I rest there, let his warmth seep into me. 

“We talked about this when I started working for Prospect. You know the chances I got of coming home in a box.”

I know. Oh, yes, I know. Roof bolting is about the most dangerous job an underground miner can do. It also pays the most. 

Jasper nuzzles my neck and whispers in my ear as his hands move lower on my stomach. “Babies cost money, and if we want a little Grodin some day, I need to stick around there a while.”

I squeeze his hands, slide them a bit higher. How I ache for a child in the hollow of my belly, pray day and night for a baby. A selfish prayer, premature, but one that, if God will answer, might help Jasper see the sense in leaving. Stump Branch might cradle Grodin family land, but it’s no longer the place for Jasper and me to start our family. The land is sick, the people are sick, and now I’m feeling sickly, too. 

I turn around in Jasper’s arms, look up into his once-smooth face, now lined and creased a decade beyond its twenty-two years. “You promised you’d quit in five years.”

He nods, and a trickle of water sluices from a light-brown curl, skims his neck and slides onto his chest. “Still got part of one to go.”

“We could get out now, Jasper, go to North Carolina. Plenty of textile jobs down there. Construction jobs.” 

“You ain’t got no reason to worry about me spending a lifetime underground. I can’t stick around there no longer than six or seven years, anyhow.”

“Six or seven years! You’d consider staying longer?”

“We’re less than a year from tearing into the last big coal seam on the property. After that, no more underground mining. Prospect’s doing everything above-ground. MTR mining all the way. I’m the last of a dying breed, baby.” He grins. 

“Jasper, nobody says you got to stick out the full five you’d promised. Besides, Stinson didn’t keep his word, neither. You still ain’t got no medical card. You have to beg for a day off and lie to take one.” 

He tilts his head, touches his lips to mine, and electricity snaps between us. I flatten my hands on his chest, push him away. “Finish eating, and get some sleep. I have to run into town. I’ll check on Paw again while I’m out. I believe he’s supposed to see the doc again tomorrow. He thinks he can drive, but I want to make sure.” 

Jasper eases onto the straight-backed chair awkwardly, gingerly, like an old man.

“Your back bothering you again?” I ask.

“Not too bad. Big slab of roof fell today.” He lifts his palms heavenward. “Had my hands up just so, caught the edge and shoved it to the side before it crushed Jimbo. I might have twisted wrong.” He rolls a shoulder, arches, then digs his spoon into the beans. “Say Paw’s going again tomorrow? Didn’t he just go a few days ago?”

I take a deep breath, let it out slowly, quietly. “They go more often when it gets to end-stage.” I watch him carefully, but he won’t look at me. “The doctor called and said the big polyp he took out last week showed more cancer. Said Paw needs to have another ten or twelve inches cut out of there, but your daddy won’t hear of it. Said no more knife.”

“No more knife,” Jasper echoes, pushing his food around his plate. 

“Sorry, Jasper. I know you hate talking about these things.”

“So . . . what’s Daddy gonna do?”

I watch my husband for a moment. He wouldn’t want me to candy-coat the truth. “He told the doc to double up on his pills if he would, but no more cutting.”

Jasper chews slowly, puts down his spoon and looks up at me. 

I hold up my hand, stop him before he can speak. “He needs them pills himself, Jasper. You know he’s got to be hurting.”

“Ain’t like I’m taking anything he ain’t offering. His idea to skim off the bottles, not mine.” He breaks off another wedge of cornbread, dunks it into the milk. “He don’t take half of what they prescribe for him, anyhow. Said if he took Oxy at the rate the doctor pushed it on him, he’d O.D. in an hour.” 

I turn away before I wipe my eyes, so Jasper won’t see.

“Besides,” he says, “I told him he ever needs them back, I got them right here, and I’ll come running. Told him I’d never sell them, anyhow. They’re yours for when—”

“For when you die! Hell yes, I know that!”

Jasper shrugs, bites off the sopping cornbread, swallows with hardly a chew. “It’s the only life-insurance policy we got.” 

I blink hard, his words stinging me like a slap to the face. I yank Jasper’s good hunting jacket from the coat tree by the door, shove my arms into it and push the cuffs over my wrists. Jasper’s words circle through my head again. Caught the edge and shoved it to the side before it crushed Jimbo. My Lord. 

“I’ll try to be back before you leave,” I say, then I catch myself and speak a bit softer. “You pulling a twelve again? What time you go in?” He doesn’t answer, and when I turn, Jasper’s eyes catch me, hold me in the way that hurts my heart. 

“Baby, come here.” He holds out an arm, and before I know it, I’m wrapped up inside him, he’s wrapped inside me. 

With the groceries bought, the electric bill paid, and what’s left of Jasper’s check deposited, I head back up the mountain, almost wishing I didn’t have the day off work. Not that I like calling patients who can’t afford their medical bills to remind them a turnover to collections is looming, but it beats watching Paw die. 

The Jeep rocks like a boat among waves as I navigate the ruts and climb the ridge toward Paw’s place. I peer into the skeletal tree-line as the afternoon sun begins to sink, but I find no colorful fall leaves, no late green shoots, no encouragement that spring will follow winter, will ever come again to Stump Branch. 

As I near the top, I slow and steer the Jeep to hug the inside of the narrow road, my stomach balling tight in anticipation of meeting one of the monstrous coal trucks that race up and down the ridge all hours of the day and night. Each year since the mine opened in ’98, someone has died either in a head-on collision or from being run over the steep embankment by a coal truck. Prospect always pays the fines, but they’ve never lost a court case, and no family has ever received reparations for loss of life. My fingers ache from gripping the wheel too tight, and I flex them, telling myself that maybe tonight I will paint my nails for Jasper, telling myself anything to get dying off my mind.

I let out a pent-up breath when I round the blind turn without meeting a coal truck. A jarring blast from the mine a mile and a half away further stretches my nerves, and I grit my teeth as loose dirt and rubble tumble from the steep shale bank above onto the Jeep’s hood and roof. You can’t ever have anything nice around here. 

Topping the knoll, I gaze out the passenger window at the bleak desolation below. Another big gray slurry pond—nearly the size of a lake—burbles and pops where once a field of Queen Anne’s lace, wild strawberries, and morning glories ambled over the ground. Nearly seven years have passed since they dug the pond, and not a weed nor a blade of grass grows within a hundred yards of it. Poison slop. Full of arsenic, copper, selenium, and other chemicals I can’t yet pronounce, but have heard named at the anti-mountaintop-removal coalition meetings. I study the pie charts, and I always pay special attention to the one depicting water quality, where the chemicals cover all but a blue sliver of the pie. A pond can’t hold in that kind of misery for long. Nothing can. 

After the turn-off toward Paw’s place, the Jeep travels smoother road along the man’s well-tended drive. I pull alongside his mailbox, reach out the window and retrieve a handful of doctor bills, insurance notices, and the same anti-MTR flyer that was in my mailbox yesterday. Paw hasn’t been outside since my last visit.

The house hasn’t changed much since the first time Jasper brought me home to meet his folks six years ago, right after he’d gotten his driver’s license. The white clapboards don’t look as proud now that coal dust stains the crevices, and though Paw usually keeps up with the ditch lilies Momma Grodin planted the year before she died, he hasn’t cut them back this fall, and they lay like heaps of wilted broomstraw along the edge of the porch. 

Paw doesn’t come to the door as he usually does when I drive up, so I jump out of the Jeep and mount the steps two at a time. He could be in the bathroom, I tell myself, trying to banish bad thoughts.

I knock at the door, three quick raps. “Paw?” I open the door without waiting, knowing my father-in-law’s front door has never been locked. As easy to lock the boogeyman in as out, he once told me. May as well let him come and go as he pleases.

“Paw?” A rush of heat wraps around me, nearly takes my breath, and I cross the wooden floor and check the thermostat. Eighty-five. “Where are you, Paw?”

“Be out in a minute.” His voice sounds strangled, and he rattles a wet cough. 

Bathroom. I drop the mail on the coffee table, shed Jasper’s coat and lower the thermostat to seventy-three. “It’s hotter than Hades in here, Paw. You got the chills or something?”

The toilet flushes, followed by running water at the sink, then Paw emerges. “I’ve been a little chilly, yeah.” 

I suck in a breath. His face has grayed overnight, and his eyes have sunk so deeply into their orbits that he looks like the plastic Halloween skull I put on our front porch last week. He offers a strained smile and walks cautiously down the center of the wide hallway, as if barefoot on broken glass. 

I rush to his side. “Paw, my Lord, why didn’t you call me?” Once a foot taller than me, Paw now walks with a stoop, and he levels his hollow gaze with my stare. “You look a mess,” I say. It’s an understatement.

Paw grins around his grimace, and his watery eyes make me want to cry. 

“Ain’t nothing you can do for me, doll baby,” he says. “If they was, I’d tell you.” He pecks a hot, dry kiss on my cheek. “’Sides, I’m getting along just fine for an old feller.”

When I slide an arm around Paw’s back, his spine presses against my arm through my sweatshirt. He feels so light I think I could carry him on my hip, like a baby. “Let’s rest a bit, why don’t we?” I say. He leans on me more than usual as I lead him to his recliner and help him sit. “Can I get you anything? Drink of water? Coffee?”

He lifts a bent finger and points toward the kitchen. “Just put on a pot about six hours ago. Ought to be stout by now. Black. No sugar, sugar.” He grins at his joke, but his lips are thin and tight, and another cough bubbles in his throat.

“Want me to take you to the hospital, Paw?”

“No. Next time I come out of this holler, it’ll be in a box.”

I can’t stifle a groan. “Great. Now you and Jasper are both talking that foolishness.” I fill two mugs, add a spoonful of powdered creamer to mine, carry them into the living room.

“What’s got Jasper dying today?” Paw asks.

“Slab of roof fell while he was bolting. I swear, Paw, between worrying about him, and you, and the mine blasting that goes on all hours of the day and night, I ain’t had a solid night of sleep in a month.” 

Paw’s gaze settles on the fluorescent pink flyer that came in the mail. “Reach me that thing.”

I curse myself for not throwing it in the trash before he saw it. “Aw, you know it’s another piece of propaganda. They’re right, of course, those protesters. But it ain’t doing no good, and it only serves to stir up trouble and hurt feelings.”

He grunts, but I don’t know if he’s agreeing or not. I push to find out. “Need to take their fight to Charleston, or maybe Washington. Only making people feel bad who have to earn a living in that mine. Ain’t like the men’s got a choice.”

“Everbody’s got a choice.” He sips the steaming brew, sets his mug on the side table. “They got a right to protest, and what they’re saying is the truth, Romie. Prospect Mining is killing all of us, what ones are working in the mines, and what ones ain’t.” He stares off for a moment, then speaks softly to the air. “I’ve had about enough of it.”

He turns and fixes me with a serious stare. “Jasper don’t know you go to them anti-MTR meetings, does he?”

His question catches me off guard, and I wonder how he knows, who might have told him. “No, sir. I’ve only been to a couple. I just wanted to see what they were about.”  

“You ought to go to all of ’em. Don’t miss nary a one.” He points again at the flyer. 

I hand the stack of mail to Paw, taking care to shuffle the flyer to the bottom. His words sound foreign to me. He’s long supported the miners, worked the mines himself in the years when men only went underground, gouged deep to get the coal instead of decapitating mountains. Used to say underground mining might not be the best way to treat Mother Nature, but it sure beat chopping off her head like Prospect has started doing now. 

Paw’s glistening eyes rove the hot-pink page, then he lays the flyer on the table, sips again from his coffee mug. “They’re going about it all wrong.” He stares silently at the dark TV for a full minute. Then he turns to me. “Say you’ll help me, if I need it?”

I wipe the dampness from my forehead, wish I’d worn my t-shirt instead of Jasper’s sweatshirt. “Think you ought to go to the hospital, after all? Let’s get you a bag together.” I stand and head toward my father-in-law’s bedroom. 

“Sit down. I told you I ain’t going to no hospital.” He stares at me in a hard way that tells me not to argue. “I want your word that you’ll carry out my last wishes.”

My throat clogs. I try to think of a joke, something funny to lighten his mood, but the words won’t come. Momma Grodin’s old cuckoo clock sounds from the kitchen, as if telling me it’s time to listen, time to do what Paw wants me to do while time is left. “Of course I will, Paw,” I whisper. “You know that.” 

He points. “Reach me that Bible.” 

I lift the worn, oxblood Bible from its place on the center of the coffee table, offer it to Paw. 

He puts on his bifocals with trembling hands, then opens the leather-bound text to the last pages. “Let me read you something.”

I try not to look surprised, but it’s hard. Paw reads the Bible, believes in the Lord above, but he’s never preached to anyone, always says a man must find God on his own terms, and that he can find Him anywhere. 

“The Book of Revelation, eleventh chapter, verse eighteen . . . ‘The nations were angry, and your wrath came, as did the time for the dead to be judged, and to give your bondservants the prophets their reward, as well as to the saints, and those who fear your name, to the small and the great; and to destroy those who destroy the earth.’” A wet cough gurgles its way out of Paw’s chest, and he snatches a tissue from the side table, closes his Bible. 

He composes himself, and when he looks at me, his eyes are puddled. “You get that, Romie? ‘. . . to destroy those who destroy the earth.’” 

I start to nod, but shake my head. “I get it, Paw. I think.”

“I want to be a bondservant.”

Dread slops over me like smothering mud, and I ache to have Jasper here to hold my hand, to pull me to fresh air. “I don’t . . . what are you saying?” 

Paw dabs at a watering eye with the tissue, points toward the coat closet by the front door. “You done give me your word. Now look in there. On the floor.”

I stand, and my feet feel heavy, like they’re stuck to the carpet. “What do you mean? About being a bondservant?” 

He points toward the coat closet, but doesn’t speak. 

I think he must have taken some Oxy that’s made him loopy, and that’s good. He needs it. I open the dark wooden closet door and stare at the strange thing on the floor. I step closer, realize it’s a hunting vest that stands rigid, rust-colored sticks of dynamite holding it erect. My knees want to buckle. “Paw.” The word comes out on a half-breath.

“Destroy those who destroy the earth.”

I kneel in front of the closet. “No.”

“What time’s Jasper go in tonight? Five?”

“No, Paw.” 

“Look at me, Romie.”

I turn my head a bit, but my stare won’t leave the hunting vest. 

“All I need is for you to drive me up there.”

“People will die, Paw! You will die. We have friends at that mine. Jasper could be in that mine!” I finally turn to meet his gaze.

His smile comes easier now; his face is peaceful. “I’m already dead, doll baby. Only a matter of timing.”

It’s a struggle, but I manage to hold back a sob.

“Jasper will be going in soon, won’t he? I could go into the mine this evening at shift change, during their meeting,” he says. “They always meet in that old office trailer. Either way, won’t be a soul underground, ’cept me.” He holds out his palms like Jesus on the cross. “You take me up there, go interrupt the meeting to see Jasper, tell him loud and clear something’s wrong with me.”

I shake my head to clear the cobwebs—can he really be saying these things?

“Say it so the others will hear. Tell them you came straightaway to get help . . . phone’s out, so you couldn’t call for an ambulance.” 

Paw lets his hand fall between his recliner and the end table, and when he lifts it again, he holds up the phone line he’s cut, so I can see its frayed edges. He gives me a white-lipped grin. “I’ll mosey down past the equipment bays while you’ve got their attention. You and Jasper will be off the ridge before I let her blow. The ones atop the ground’ll shudder and shake, but they won’t be hurt none.”

He wipes his mouth with the back of his hand. “The shafts will collapse . . . mining equipment will blow all to pieces. It’ll cost more to wade through the EPA and OSHA paperwork and replace all that equipment than it will to shut her down . . . clear out of here.” Fresh pink blooms on his pasty cheeks.

My racing heartbeat slows, and I chew on a fingernail. It can’t be that easy, can it? Jasper won’t have a job, a place to work. If he’s unemployed, we’ll have to leave the state for work then, won’t we? Get out of here. Have a baby in a place where the water isn’t chemical soup.

“It’s my dying wish.” Another cough breaks from his chest, and this time red dots spot the tissue. 

I lurch toward Paw, wrap him in my arms. 

“All you need to do is give me a ride,” he whispers. 

After a moment, he pushes me away from him, holds me at arm’s length. “They done killed more’n five hunnerd mountains and four times that in people. Somebody’s got to show them we ain’t gonna take it no more.” He shakes his head. “They poisoned me.” He pokes a finger at my stomach. “And they’re poisoning you. You, and Jasper, and everybody else in Stump Branch.”

I look down at the concave void just below my ribs, and I imagine a mound there in its place, a swollen womb full of Jasper’s child. I dry my wet face on my sleeve. “Don’t you want to talk to Jasper about this first?”

Paw shakes his head, and tears slip out again. “That’d hurt worse—hurt me and him both.” He looks away, wipes his sunken cheeks. “It’s better this way, he don’t know.” He motions toward the small table by the front door with a shaky hand. “There’s two more stock bottles of OxyContin sittin’ there, both plumb full. Ought to be enough to buy a new start in Carolina.” 

I follow the direction his fingertip points, look at the big, white, square bottles. Has to be more than a hundred pills in each, a dollar a milligram. Thousands of dollars rolled into little blue tablets.

Paw pats my hand, rubs away the dampness on my cheek with his thumb. “I done laid out my UMWA life policy on the bed, ready for you and Jasper to take to the lawyer. Ain’t much, but it’ll help. There won’t be no funeral, nothing left to bury.”

“I know you think you’ve thought this through, but them mine owners won’t shut down. They’ll just lop off another mountain on down the road. Jasper’s already said that’s their next plan. And that life insurance policy—it won’t pay for suicide.” 

Paw waves his hands, and his voice comes out in agitated wheezes. “I’m sick, Romie. They’ll say Oxy stunned me . . . old man wasn’t thinking right. He got confused . . . went to mines . . . thought he still worked there.” He swallows against the gurgle in his throat. “That much dynamite . . . all the gas that builds up around there . . . they’ll never know I blew the place. What’s left of that hollowed-out mountain . . . it will be gone. Insurance will pay, you bet. It’s the United Mine Workers Union.” 

“They’ll fight it. You know they’ll fight it. Insurance companies don’t care about us.”

Paw’s bushy eyebrows lift, and again I’m struck by how gaunt his face has become. “Prospect’ll make ’em pay. You think they want word to get out . . . that one of their own blowed up a mine on purpose? That miners are turning against the mines?” He clears his throat. “No, they’ll want to cover it up quick as they can . . . money’s the best way to do that. They think money’ll shut up anybody.” 

I grind my teeth, shake my head. “Paw, this is your sickness talking. I’m taking you to the doctor.” I stand and offer him my hand, but he waves it away. Instead, his gnarled hands grip the armrests, and he thrusts himself forward. 

“Get my jacket.”

I take a deep breath. Finally, he’s thinking right. I return to the closet by the door and pull out Paw’s flannel coat, averting my eyes from the hunting jacket. 

Hunched forward, Paw eases toward the door. “Not that one.” He points at the hunting vest. “That one.” 

“Humor me, Paw. Put this on.” I hold open the flannel coat, guide Paw’s long arms into the sleeves.

“Humor me, now.” He jerks his head toward the open closet. “Get it.”

It’s not a bad idea to get the dangerous thing out of the house. I can set it over the hill and send Jasper to take it apart later. I pick up the heavy vest, surprised that it takes both hands to lift it. I look toward Paw, but he’s headed out the door, trusting me to do as he said. I slide the vest onto one arm, and then I see the two medicine bottles. I look toward the ceiling. Would it do any good to pray? I heft the vest against my hip, and my hand trembles when I pick up the bottles and slip them into Jasper’s deep coat pocket. I hurry out the door to steady Paw as he ambles down the porch steps. 

When we reach the Jeep, I set the hunting vest on the ground, help Paw climb inside, and start to close the door.

He grabs my arm and tilts his head toward the vest. “I’ll take that.”

“Bumpy as this road is, we’ll blow to Kingdom Come before we get off the mountain.” 

“Who’s the master blaster here? I’ve hauled dynamite around most of my life. It won’t blow unless somebody blows it.” He reaches out his hands, and his voice is stern. “I said I’ll take that.”

I peer into the bone-dry woods on the other side of the driveway. I’ve never disrespected my father-in-law. Never spoken a harsh word to him. He and Jasper’s mother treated me like their own child from the first time I stepped into their home. 

My shoulders sag as I lift the awkward vest, ignoring Paw’s outstretched hands, and place it in the floorboard at his feet. I close the door, walk around the Jeep, and slide behind the wheel. 

The pills clatter inside the bottles in my pocket, and Paw looks at me and smiles. “Good girl,” he says, his voice hoarse. “I hate it’s come to this. Shame you two got to sell them pills to make a life, but the Good Lord always provides, don’t He?” He clears his throat, sinks backward into the seat and sighs. “I’m looking forward to meeting Him.” 

I press my lips together to keep from cursing. “Hope you know we’re going to the hospital.”

I glance toward Paw, but he won’t look at me, keeps his gaze on the homeplace as I head down the graveled drive. 

“Last time I’ll be seeing this place.”

“Don’t say that.”

“Romie, I won’t last another day or two. I don’t want to die in no hospital.”

“You can stay with Jasper and me.” I reach the end of the drive, brake, and the clock on the dashboard reads 4:44. The numbers seem like a message, one I can’t decipher. I turn to look at Paw. “I’ll take care of you.”

“No pride in that. I’m a strong enough man, still got one more job to do.” 

I look out across the rutted road, once smooth blacktop, now fractured into a million pieces by the too-heavy trucks hauling out tons of mountain soul. What was once the rising mountain where I picked blackberries, chewed teaberry leaves, and made love to Jasper among blooming dogwoods is now low-lying scarred craters—sterile, desolate, and barren. No place to live. No place to birth a baby. Only a place for dying. A place for destroying those who destroy this good earth.

I take Paw’s hand in mine, kiss his palm, let him go. I hold tightly to the wheel, turn onto the road and drive toward the mine.

“I love you like a daughter, Romie. You’re a real good girl. Thank you for doing this.”

“I ain’t doing nothing but taking you to see Jasper, let him talk some sense into your head. Lord knows I can’t.” I flinch when Paw’s fist slams the dashboard.

“I told you I didn’t want Jasper in on this.” Red-tinted saliva flies from his lip, and he wipes his mouth on the back of his hand, glares out the window. 

“When you brought me in, you brought Jasper in.” Another blast at the mine causes the Jeep to vibrate, and I grip the wheel tighter, shoot a sideways glance at the hunting vest standing in the floorboard between Paw’s feet. “You sure that thing won’t blow?” 

“Got to light the fuse, first.” Paw pulls an old Zippo lighter from his pocket, flips open the metal lid. 

“For God’s sake, Paw! Put that thing away.” 

Paw shoves the lighter into his coat pocket, speaks with a soft voice full of hurt. “I would never lay harm to you. You ought to know that.”

I reach the entrance, drive past the Prospect Mining sign. I want to throw up, rid my stomach of the nerves writhing like snakes inside it.  

Paw touches my arm. “Stop here and let me out.” His voice warbles, and he clears his throat. “By the time you get to the trailer, I’ll be at the equipment bay entrance. You get Jasper, and y’all get off this mountain. I figure it’ll take me four or five minutes to get to her belly. That’s where I’ll . . . you know . . . let her blow.”

I set my jaw, press the gas pedal, and cut the wheel, slinging red-dog gravel and coal dirt in an arc across the wide parking area as I drive toward the office trailer. “I’ll do no such thing. I’m going to get Jasper, all right, but only so’s he can straighten you out. You’re going to sit right here while I do it, you hear me?” I turn off the Jeep and snatch the keys from the ignition. “If you can look your son in the eye and convince him to go along with this fool idea of yours, I’ll stand with you on it. But I won’t let you put this burden on my shoulders to carry alone.”

I step out, turn, and glare at Paw. “You staying put?” 

I want him to say no. Want him to sling that heavy vest onto his shoulder, march like the soldier he’d once been into that mine, defend his family, defend this land, even at the cost of what few days he’s got left. My face grows hot, fired by coals of shame smoldering inside of me. 

Paw’s lower lip thrusts outward, and he reaches into the floorboard, tries to lift the heavy vest onto his lap. 

I hold my breath. 

Paw grunts and strains. “Help me put this thing on.”

I look skyward, blinking hard and fast. Overhead, a lone red-shouldered hawk screeches, searches the gray strip mine in lonesome circles, moves on. I look again at my father-in-law, wonder if maybe I should do this God-awful thing that he asks of me. “Paw?”

Another rattling cough shakes his body. He lets the vest fall against the floor, leans back to catch his breath. He presses his steel-blue lips together, stares straight ahead, won’t look at me.

Ahead of us sits the trailer, and I know Jasper’s in there, know this is the place where he spends his nights and part of his days making a living for us, making a life for us, and in a way I can’t pretend to understand, he likes mining coal. How can I take that away from him? 

Paw drops his head, stares at hands curled like dead leaves in his lap. He sniffs and turns to me, lets out a long, jagged breath. “Useless,” he whispers.

I climb back into the Jeep, pull a handful of tissues out of the console and offer them to Paw. When he won’t take them, I put all but one in his lap and dab the blood-tinged spittle from the corner of his mouth. “This ain’t the way you want to go out of this world, Paw. You’re too good for that kind of destruction.”

He looks out the window, surveying the wasted mountain. “I’m a foolish old man.” His chin quivers.

“No. No, you’re not.” 

A wet cough rattles Paw’s body, and I turn my face away. “What say we go, before the men come out of that trailer?”

He picks up a tissue and swabs his damp face. 

I wipe my eyes as I drive past the Prospect Mining sign. 

Paw stares out the window toward the eight-mile fissure where once stood a mountain. He reaches over, pats my hand where it lays on the gearshift. He lets out a ragged sigh, turns his ashen face toward mine. “You done the right thing.”

I try to smile at him, but can’t. “It ought to feel like it then, oughtn’t it?” I glance at the dynamite, push away second thoughts, and drive down the broken road toward home. 

Kindred (Long Distance)

We sink into the cantaloupe snow, mountains 

heavy on our bellies, our eyes ice-blind. This is love— 

This is how we coat our throats, become 

like mothers. The air is made of wool. We might be 

a shoebox diorama: two figures, pools of glue, 

country blues. We could have a home 

in muskmelon, man and wife. Stay, 

skin echoes. We’ve always been la vie en rose. 

When they clear the streets, I find myself 

sticky with sugar, plucking stray pulp 

from between my toes. I’m tired of missing you. 

the wrestler

i don’t care if you leave me

bruised, purpled skin under blue

eyes. blood dripping down

your lip, marks made with

nails (i don’t remember 

what it’s like to feel 

safe here). i can feel you breathe 

above me, can feel the choke

before you grab my neck

(we will never be 

a love poem, only ever 

a wrestling). when you throw

me, drown me in throttle,

i will know what it’s like 

to be a rag doll: to have stitched

red lips drip insulin, your thirst

to my mouth (i can see your green

eyes tremble in the light).