Double Wide

My grandma lives in a double-wide trailer on an acre of land her husband left her. My family lives a few hours south, but I don’t get along so well with my dad, so I’m spending time up here.

She bought the doublewide from a family whose father died of throat cancer. They had to sell the place because they couldn’t afford to rent the land they were on or to move the trailer. The widow and my grandma bonded over losing their husbands and when they sat down to figure out a price, they each argued for the other one’s side, worried what my grandma could afford and what the widowed woman needed.

My grandma moved the doublewide down the road to her acre of land, then had septic, water, and power hooked up, and a pond dug. She was the only one in the area to set her house perpendicular to the road, so the bay window faces the pond and only the window over the kitchen sink and the small one in the bathroom look toward the road. It isn’t the road so much that’s the problem— there isn’t a lot of traffic. And the house across the street is neat and well kept. It’s what lies a half mile beyond the house, just sticking out over the woods, quiet and calm: the top of the cooling tower for the Tom’s Bay nuclear reactor.

Day and night, the tower exhales a thick soft cloud of steam. On sunny days, it’s the only cloud in the sky, and on cloudy days, the strange vertical plume sticks out against the layers of natural clouds. But on a rare day, the steam rises until it touches a low cumulus cloud, making the tower look like it’s a cloud factory—as if without it, there wouldn’t be any clouds in the sky at all.

I sit outside sometimes in summer and watch the ducks my grandma named donna and Lydia swim around in the pond. They try to make friends with the Canadian geese that visit for a few weeks every year, but the geese aren’t friendly—they squawk, ruffle their wings, and chase the ducks away. Sometimes I get up and run after the geese, just to show them what it feels like to be chased and to remind them this isn’t their land.

Other days, like today, I turn my chair and look out across the road, at the thin rim of the tower poking up behind the trees. I’d never seen a cooling tower before coming up here, except on a page in a social studies book which compared different sources of energy. When I first saw the tower as a kid, I told my grandma that it looked like a giant coffee cup with steaming coffee. I’m older now—I just turned fourteen two weeks ago—and I think of it like the tip of a cigarette, filling the air with smoke.

My grandma said the family that had lived in the doublewide all smoked— even the three kids, because, as the mother said to her, ‘It’d be hypocrite to tell them no.” Grandma says they packed up quickly, leaving behind the greasy pans, mildewed rags and dirty socks, forgotten boxes of baking powder and rat poison, but worst was that the trailer smelled like it’d been scorched by fire. “The walls were sticky and yellow with nicotine,” Grandma said. “It was like walking through a smoker’s lung.” I don’t know why the kids in that trailer ended up smoking. In my house, you can’t see or smell what dad uses, but you can feel it in the air. That’s all I could think of when someone tried to hand me a cigarette in fourth grade. It’s enough to make me never want to take anything.

Sometimes when I see the cooling tower, I imagine it exploding, huge pillars of fire. I get lost thinking about what I’d do if that happened, how I’d grab my backpack and my picture of my sister Alice, yell for my grandma to get out, pick up donna and Lydia and stuff them in the car while yelling, “Goodbye suckers” to the geese. Then I’d drive the four of us west as fast as I could.

I imagine it happening like that, as though I’d be the one who’d get us out of there, who’d save us, though I’m not old enough to drive. I know enough to know we should drive west. I’ve watched the weather channel with grandma at night enough to see that all the winds come from the west—that we don’t want to be east of the fallout.

Of  course, deep down I know if an accident happened, we wouldn’t have time to gather things up, to grab the ducks, and drive away. If the thing exploded, there wouldn’t be time for any of it.

The other day, I asked my grandma about the reactor, if she was scared living so close.

“Not really,” she said.

“Then why’d you turn your house away from it?” I get angry sometimes when things don’t make sense to me.

“Well, it’s only scary when you think about it,” she said, “and I only think about it when I see it.”

I think about the reactor all the time, whether I see it or not. At home, in my locked room, I sometimes dream I’m at Grandma’s and the reactor’s exploding. In the dream, I see a fire over the trees and it’s so mesmerizing, I start walking toward it. I can’t turn away. I tell myself to get out, but I keep stepping closer. I want to see the whole building on fire.

It isn’t that I don’t have enough things to worry about already. My dad takes drugs I don’t even know the names of, and my mom lies to cover it up. She works extra jobs to bring in enough money for food, because dad’s addiction is always first. Mom is always telling my sister Alice and me that Dad’s sick and he needs his medicine, but taking his medicine makes him sick, so he’s trying to get off it, and we all have to be patient with him. But I’m the one who goes to bed hungry, who has to explain things to Alice, who locks my door at night like Mom tells me, in case things flare up. “There’s a fire inside your pop,” she told me once, “and it’s important you don’t add any fuel.”

But I guess I did anyway. Last fall, dad told Alice and me that this was it—he was going to quit once and for all. For us, for his family. He stayed in bed for almost a week, Mom making him food and bringing it to their room. Alice and me were on our own, which meant I made lunch and dinner for the both of us. When Dad was finally up and out of bed, he sat on the couch in front of the tv and drank beer from cans all day. We were told we could help by not disturbing him, by giving up our tv shows so he could watch whatever he wanted. I was mad. He was turning into even less of a dad than he had been, and we were giving up more and more.

Then one day in November, he called me from the living room. “Jaycee!” he yelled it strong, like I’d done something terrible. I didn’t want to come out, but a part of me did. I knew I hadn’t done anything wrong, and I wanted to see him try and accuse me of something.

“What?” I yelled back, slamming my door and marching out into the hall.

He looked angry, but also scared. He was holding a sandwich bag with about twenty bright red pills in it. I wondered if he was going to accuse me, say that they were mine. He looked at me like he hated everything about his life, me included. “Take these and hide them,” he said. “Don’t throw ‘em away. They’re worth too much. But I can’t know where they are right now. Put them somewhere I can’t find.”

He handed the plastic bag to me and walked out of the house. I guess I should have done what he said. But I was tired of doing things for him, of giving up my life, of being the adult when I was only thirteen, and all my friends were able to be normal kids, worrying about themselves instead of their parents.

I held the bag stretched out in my hands there in the living room, trying to figure out what to do. And that’s when I sort of left my body, floated up and looked back down and saw myself in some clear way I never had before. I was a thirteen-year-old girl holding a plastic bag with drugs. They were illegal, for sure, and if the police walked in right then, I figured I’d be the one who’d go to jail. But I hadn’t done anything wrong. I only had them because my dad had given them to me. He was the one breaking the law, and he had dragged me into it, made me a criminal.

“A criminal in my own house,” I heard myself say aloud before I floated back into my body. And that’s when I knew what I had to do. I threw the bag of pills behind the sofa, grabbed my cell phone, and left the house. I ran in the opposite direction I’d seen my dad go and I didn’t stop until I was in the woods behind the shopping center. When I caught my breath, I called 911 and told them that my father had given me a bag of drugs to keep and I didn’t know what to do.

The police put dad in rehab and then in jail. My mother was so angry, she wouldn’t talk to me for a month. Everything she needed to say, she said to Alice instead. And in April, just before my dad was released, she told me I should go back up and live with Grandma for a while, because it wouldn’t be safe for me to stay in the house.

“I thought dad was sober now,” I said.

“Oh, he is,” she said, though I couldn’t tell if she was telling the truth. “He’s sober enough to know what his daughter did to him, just when he was trying to come clean.”

It was still a month before the school year ended, but my mother worked out something with my teachers. I had to e-mail them my homework on my phone since Grandma doesn’t have internet. I left without telling any of my friends, because I knew they’d ask why I was leaving, and I’d have to tell them or lie.

“We need you to be strong,” my mother said when she took me to the bus stop to come up here. “Okay,” I said, and got on the bus. Then I cried all the way up here, but cleared my eyes before I got in Grandma’s car.

Here at my grandma’s, things are quiet and safe. She doesn’t drink or smoke. She just works in her garden in the day and watches tv at night. We always have enough food, though sometimes, I get bored. I bike up and down her road looking for other kids, but all I see are men older than my dad cutting their grass on riding mowers and old women watering flowers or walking out to the post box to check the mail.

And always in the distance is the cooling tower puffing out its steam, a distant, quiet threat. To get to it, you have to go down the road a couple miles then turn left on a lane that doubles back to tom’s Bay. There’s nothing else on that lane, no reason to go down there, so I’ve never seen the power plant up close, though I want to. Only seeing the top of the tower, with its plumes of steam, makes it seem far away, not quite real. Like something that only lives in dreams.

 

Still, it’s better here than being at home. Grandma has fixed the doublewide up nice. She said she had to tear out the carpet and paint two coats of primer on the ceiling and walls, just to get rid of the cigarette smell. There’s a spare bedroom in the back, but I sleep on the sofa. I don’t like being stuck in a room with the door shut. “You don’t have to close it,” Grandma says, but I tell her I prefer the sofa. I like being near the front door, in case I have to get out.

Sometimes I wake in the middle of the night from a nightmare about my father. In one, he’s sitting beside me in my bed with a syringe in his hand. He’s already so high that when he goes to shoot up, he puts the needle in my arm instead of his. I’d begin to pass out and claw myself to stay awake. I try to tell him to stop, but my speech is slurred. “It’s okay,” he says. “This way I don’t feel the pain.”

 

Last month, I finished school and turned fourteen. My grandma baked me a strawberry cake. I even got a card a few days later from my parents, though I could tell it was just from Mom—she’d signed both their names.

Now it’s the fourth of July, and Grandma and I are sitting by the pond, watching the neighbor’s fireworks from across the street. The sound scares the ducks, who huddle in the middle of the pond, as if all that water will keep them safe. I think about my sister, Alice, and if anyone is taking care of her.

“I hate firecrackers,” Grandma says. “They scare the hell out of Donna and Lydia.”

“But you stay out here and watch them,” I say, angry at her for some reason. “I suppose there’s a little pyromaniac in us all.”

Not me, I think, but I keep watching them. She’s right, I can’t really turn away.

After they are done, Grandma goes in to watch tv in the living room, so I sleep in the bedroom because I’m tired and don’t want her to feel like she can’t stay up and watch because of me. I dream my mother calls and tells me, “Your father’s gone.” I can’t tell if she means left or died—and she wants me to come home. I end up biking to the bus station, but when I get there, the driver says my ticket was only one way, north, not round trip. And it’s expired.

I wake up in the room I don’t recognize and think I’m nowhere I know. Then I go out to the living room and see Grandma sleeping on the sofa, in my spot.

As I make her breakfast, she tells me about the shows she stayed up watching, as though it’s a sin she’s confessing. “It must have been almost midnight before I fell asleep,” she says. I don’t tell her about my dream. Instead, I do the dishes while she goes back to sleep in her bedroom.

I’m looking out the kitchen window, wondering how long I’ll live in this doublewide with Grandma, if I’ll I inherit the place when she dies. I wonder if I’ll end up here all alone, like her. I stare up above the trees then, at the bright blue sky for a few minutes before I realize there aren’t any clouds—in the sky or rising from the tower. Without them, the tower itself is hardly visible above the trees.

Something must be wrong, because reactors can’t just turn off like that. This is it, I think. Instead of flames, there’s just nothing.

My head grows fuzzy and I feel something race through my body. I drop the sponge and call out to Grandma. I scramble to think what I need to grab and if I should first wake her, and if there will be enough time to get Donna and Lydia.

No, I tell myself, there isn’t time for any of this.

But still, I have to try. Isn’t that what creatures do, even if it’s pointless?

I yell for my grandma again as I grab my bag in the living room and stuff it with my phone, a journal Alice got me for Christmas, and a few clothes. Then I rush into Grandma’s bedroom and tell her to wake up quick.

“What’s wrong?” she says, sitting up, drowsy.

“The reactor,” I say. “It just stopped.”

“Oh, honey.” She stares at me a moment. “You know, it does that sometimes. They turn it off to check the system. It’s called an outage.”

I look at her like she’s not making sense. Then I drop my bag and run outside. I have to see for myself that nothing’s wrong. The flowers in my grandma’s garden are in full bloom, vibrant in the morning sun. The ducks are gliding peacefully across the pond. They’d sense something was wrong, wouldn’t they?

I look at the tower sitting silently behind the trees, and I listen for an explosion, for anything. But the day is quiet. It’s late enough in summer that even the geese, with their angry squawking, are gone. There’s only the sound of a lawn mower, far off, like the hum of a bee.

I’m safe, I tell myself. I can just sit here and enjoy the day, which doesn’t have a cloud in the sky.

Nathan Alling Long

Nathan Alling Long grew up in a log cabin in rural Appalachia, worked for a few years on a queer commune in Tennessee, and now lives in Philadelphia. Their work appears on NPR and in over a hundred publications, including Tin House, Glimmer Train, Witness, and Story Quarterly. Their collection, The Origin of Doubt, was a 2019 Lambda Literary Award finalist, and their current manuscript, The Empty Garden, was a semi-finalist for the Iowa Fiction Award. Other awards include a Truman Capote Literary Scholarship, a Mellon Foundation grant, and four Pushcart nominations, and scholarships to Bread Loaf and Sewanee writers’ conferences.

Contributions by Nathan Alling Long